A Quote by Oliver Wendell Holmes, Jr.

Success. Is not the position where you are standing, but which direction you are going. — © Oliver Wendell Holmes, Jr.
Success. Is not the position where you are standing, but which direction you are going.
My great definition of success comes from Thoreau: "If one advances confidently in the direction of his dreams, and endeavors to live the life which he has imagined, he will meet with a success unexpected in common hours." That always has defined my road to what you call phenomenal success. I have advanced confidently in the direction of my dreams. I have lived the life I imagined, and I have had a ball doing it.
All direction is but re-direction; it shifts the activities already going on into another channel. Unless one is cognizant of the energies which are already in operation, one's attempts at direction will almost surely go amiss.
Success, the real success, does not depend upon the position you hold but upon how you carry yourself in that position.
There are four directions: North, South, East, and West. We are going in the fifth direction, which is the direction of stories.
If you are in a position to give direction to the masses, check your direction thousand times to be sure that it is the correct one!
We are not in a position in which we have nothing to work with. We already have capacities, talents, direction, missions, callings.
Life is always going to be a series of ouch-making moments, and the question was, was I going to go all fetal position, or was I going to woman up? I went into fetal position on the bed to think about this. Fetal position turned out to be very comfortable.
Sculptured figures which appear in motion, will, in their standing position, actually look as if they were falling forward.
When you're in the middle of an interview, it's so easy to stop listening and think about the next question you're going to ask. You can miss that golden moment which might take you in a different direction or a direction you didn't expect.
Nothing is worse for me, as an actor, than when I walk on a set and the director goes, "Okay, you're going to be standing here, the other person is going to be standing here, and you're going to move to there and then do the scene." That doesn't help actors.
People think of time as a continuum composed of points which is stretched out at a line, and even if you add a direction to it and say one direction on the line is past and the other direction is future, or better, one direction is "earlier than" and the other direction is "later than", you're still thinking of it as like a geometrical line which is stretched out rather than as a dynamic process of becoming.
The most important rule is to play great defense, not great offense. Everyday I assume every position I have is wrong. I know where my stop risk points are going to be. I do that so I can define my maximum drawdown. Hopefully, I spend the rest of the day enjoying positions that are going in my direction. If they are going against me, then I have a game plan for getting out.
And Paul Moravec, not being a theater person, would always trust me when I said things that I am like, "you're going to need another 10 seconds of music year to get them across the stage." But I always knew that the people were going to be coming to hear his music of which my words are going to be a part. It was clear that he wanted to go and direction A., and I wanted to go and direction B. We would've gone and direction A. That's the most important piece of advice I can give to anybody who finds themselves in an opera, or musical comedy situation like that.
It's crazy to call myself as the sexiest woman. I'm like, wow; this is cool. Looking at the past years, I was expecting 5th or 6th position. But standing on the 3rd position was totally unexpected.
We know from research that growth is actually contagious, so if you want to reach your goals, you've got to get around people that are going in the same direction you want to be going, and you will catch the success.
Whether I am going in the right direction or not is determined not just by awards but also by the kind of films I do and their success.
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