A Quote by Olivia Colman
I always assumed I would leave drama school and do 'Lady Macbeth' and all sorts of serious things. It just didn't happen.
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The first time I saw 'Macbeth' was not the entire play. It was at acting school, and this student was working on Lady Macbeth's soliloquy. I felt something very special, and I knew then that I would one day experience Lady Macbeth, but I always thought it would be on stage and in French.
I think 'Macbeth' was a play that I've always gotten so much out of. My wife played Lady Macbeth in a play, and I designed it. There are things in there that are just kind of extraordinary.
When I was younger, I always assumed that when I grew up, I would be living in the country, and my kids would be going to a state school. But that's not how things have turned out. I can't see myself being able to leave London.
I went to NYU drama school, so I was a very serious actress. I used to do monologues with a Southern accent, and I was really into drama and drama school. And then, in my last year of drama school, I did a comedy show, and the show became a big hit on campus.
There's part of me that would love to wear a ruffly collar and do a period drama, but that's not going to happen. You don't have Asians in those sorts of things.
With 'Lady Macbeth,' I had two other things offered to me, and they would have also been very fun, but you just have to figure that out. And then you do it.
I want to play Lady Macbeth. I have a big chip on my shoulder about Lady Macbeth. People usually play her as this cold, Greek witch, but there's no evidence of that in the text! I think her intentions are pure.
I went to a Jesuit school and they did a William Shakespeare play every year. I got to know Shakespeare as parts I wanted to play. I missed out on playing Ophelia - it was an all-boys school. The younger boys used to play the girls, I played Lady Anne in Richard III and Lady Macbeth, then Richard II and Malvolio. I just became a complete Shakespeare nut, really.
To mankind in general Macbeth and Lady Macbeth stand out as the supreme type of all that a host and hostess should not be.
I did all sorts of jobs after drama school - working in a bar, as a teaching assistant. I probably learned as much from them as I did at drama school.
I have such a great thing I want to do with Lady Macbeth - make her one of the witches - and I have this whole thing where she's very light and dressed in pink and dancing Gaelic dances and throwing roses, but then when her husband's coming home, she does incantations and pulls her hair back, puts on a black leather trenchcoat. I mean, I could tear it up if somebody would give me the chance! But do you think someone would ever let me do Lady Macbeth? I doubt it. But I'm going to keep talking about it.
I was in theater school playing Lady Macbeth and doing these great dramatic parts, and then I got out into the real world and was auditioning for commercials, and just not getting to do anything that felt remotely meaningful.
I went to drama school and, after that, went to Paris to train at a place called Ecole Philippe Gaulier. When I came home, I realised I'd have to have a serious stab at it. I didn't have an agent and didn't have the traditional drama school showcase, so I started a comedy group with a couple of friends.
I was always keen to get involved in the school drama productions and was a member of the school choir. I was lucky to have attended schools that took music and drama very seriously and the teachers were just brilliant.
When I was a little kid it was my dream to go to drama school, but it was never something I thought would happen to me. I was a Jewish girl from North London and things like that don't happen to Jewish girls from North London called Amy Winehouse.
I've always wanted to play 'Lady Macbeth' and Strindberg's 'Miss Julie'.
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