A Quote by Olivia Colman
If something touches me, I cry. That's it. I'm a bit raw, a bit rubbish, really. Often, a director will say to me, 'I don't think this is a scene where your character cries.' And all I can say is, good luck with that!
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When I'm creating a character, it's a little bit like what my theater teachers used to tell me about Stanislavsky, like if you're using sense memory to do a scene - if you have to cry in a scene, you try to remember something in your life that made you cry and you use that in order to get the tears.
I've found that when I'm having trouble solidifying a character or a scene, that music will often free my subconscious just that last little bit to allow me to move forward, and often it's in a direction that I didn't expect, but is 100 percent true to the character.
Directors are always changing things at the last minute. Actors will do a scene, and the director will say, ‘Okay, that was perfect, but this time, Bob, instead of saying “What’s for dinner?” you say, “Wait a minute! Benzene is actually a hydrocarbon!” And say it with a Norwegian accent. Also, we think maybe your character should have no arms.
Let's say [Warren Beatty] wants you to speak louder in a scene. He won't stop playing the role and say to you as a director, "Will you speak louder on the next take?" He'll say it as Howard Hughes: "I can't totally hear you. Why don't you speak up a little bit?" To kind of keep this rhythm going.
I've had a couple of people come up to me after screenings and say they kind of sympathized with the character. I always get a kick out of it when people say that. It means I did something maybe a little bit to the credit of the character.
There I go being critical again. Does a man have to stand on one foot and juggle for me to consider him entertaining? What am I looking for? A knight?...No, knights are all polished and shiny. I think my taste runs to something with a bit of tarnish and maybe a few scratches. Someone who can make me laugh and cry and make me angry and make my knees tremble when he touches me.
[about suicide] And why is it the biggest sin of all? All your life you're told that you'll be going to this marvellous place when you pass on. And the one thing you can do to get you there a bit quicker is something that stops you getting there at all. Oh, I can see that it's a kind of queuejumping. But if someone jumps the queue at the Post Office, people tut. Or sometimes they say, “Excuse me, I was here first.” They don't say, “You will be consumed by hellfire for all eternity.” That would be a bit strong.
I think I have that love of colour in common with Eric, my character on 'Sex Education.' That said, his look is often slightly off-kilter - the shoes will be a bit too 'out there,' or the trousers will be leopardprint or something. I like to think I'm a bit more put together than him.
I'm a bit rubbish at knowing when something is good. But if it goes out and I can say, "I wasn't as bad as I thought I would be", then I'll be happy. Until then, I'll be thinking, "I shouldn't be here!"
Even if is a bit edgy, a bit out of your comfort zone, saying yes means that you will do something new, meet someone new, and make a difference in your life, and likely in others' lives as well... Yes is what keeps us all young. Yes is a tiny word that can do big things. Say it often.
I'm often a crier and many things make me cry. I come from a crying family - my mother cries, my grandma used to cry. It was never shameful to cry. My father never told me men don't cry.
If a scene is three pages long, quite often people break it up and do a page, say 'cut' then move on to the next bit, they do it in cuts. I don't really like doing that; I like to go through it all in one organic run, then give notes afterward. A little bit more like theater.
Who will cry for the little boy, lost and all alone?
Who will cry for the little boy, abandoned without his own?
Who will cry for the little boy? He cried himself to sleep.
Who will cry for the little boy? He never had for keeps.
Who will cry for the little boy? He walked the burning sand.
Who will cry for the little boy? The boy inside the man.
Who will cry for the little boy? Who knows well hurt and pain.
Who will cry for the little boy? He died and died again.
Who will cry for the little boy? A good boy he tried to be.
Who will cry for the little boy, who cries inside of me?
I think it's really hard to make songs that pursue an agenda. You can kind of do it a little bit through a character, so the character gives voice to something or their story, the story of the character tells you something, but, for me anyway, it's really hard to write directly about politics.
If there's something left in me, it's better to go down fighting. You've got to have a bit of self-belief and confidence in yourself. I might know that I have only a little chance but I'm a good rider and I try to make it happen. You have to give luck a swift kick in the behind so it falls on your side. You have to make your own luck.
For years I thought of many other people. As we all do. But we should all step back and say, 'What's making me unhappy? What's not working for me? What can I take out for a bit and take out long-term that will help me a bit?'
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