A Quote by Olivia Colman
My mum was a nurse, and her passion was geriatric care. I used to love listening to the old people's stories in her nursing home and picturing myself in their place. They'd say, 'I went to school in a horse and cart,' and I'd just think 'Wow!' I'd picture myself in their place - acting was a natural progression.
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I love Elektra. I really have a special place in my heart for her. It was very enjoyable for me to discover her and to adapt her for this project and bring myself to this character. So I have a special spot for her.
Her motivation was love, her love for her father, and her journey of finding out who she truly is. That was my homework, and I would say that it motivated me to prepare myself mentally, but also physically, with a lot of gym stuff, fight training, horse training. But at its core, 'Mulan' is really about the character, the spirit.
Umm, there are so many people that I've never had one person that I've particularly idolised or I thought "Wow, I want to be just like them." It used to be when I was younger, Julia Roberts, I used to just love her. There is something so appealing about her.
Where woman has taken her place in business she has found her method ready-shaped for her, and following that, she does her work,if with a certain amount of monotony, yet without undue fatigue. Her hours are fixed, and as a rule she gets needful change of scene as she goes to her business and returns to her home or the place where she lives. But the "home- maker" has not, nor can she have, any such change, and her hours are always from the rising of the sun beyond the going down of the same.
I was on the beach, and I was just thinking to myself that I have no one place where I actually feel like I'm at home. I came up with the idea of having no roots - never being grounded to a certain place but having your home with people who you love.
I used to be really shy, and I think something happened in my brain where I was like, 'All right, I don't care anymore. I'm just going to be myself.' So I went to school wearing eyeliner and eye shadow, and they called my mom, telling her it was a distraction. My mom fought the school, and I got to wear makeup every day.
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I have been passionate about dancing and acting as long as I I can remember. It was a natural progression to make it my passion, pursue it, learn more about it, and develop myself as a performer.
I took her into bed with me and propped myself up with pillows against the headboard to let her nurse. As she nursed and the milk came, she began a little low contented sort of singing. I would feel milk and love flowing from me to her as once it had flowed to me. It emptied me. As the baby fed, I seemed slowly to grow empty of myself, as if in the presence of that long flow of love even grief could not stand.
When my mother died, we had the coffin at home. Like, old-school - you have the coffin at home so all the people can come and see the person. And her coffin was next to my room, so I used to go in and stand on a chair and look at her. You know, it's open coffin and stuff.
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A lot of my family on both sides have worked in education and nursing, and my grandmother was a nurse; my sister is a nurse, and her - my other sister's daughter is going into nursing. There's a lot of that in the family.
I'd say that I've been reclusive the last 34 years. That was my big thing as a kid, staying home from school. I've trained myself to be psychosomatically sick a lot. Anytime I go out, it is just something to deal with, even walking to the grocery store. If I'm supposed to go from one place to another place that isn't that comfortable, I usually don't go.
Mum used to say that when I went out of the house, I represented her. I took that seriously. So I didn't get involved with a lot of things. I held myself in a particular way.
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