A Quote by Olivia d'Abo

I've always wanted to play 'Lady Macbeth' and Strindberg's 'Miss Julie'. — © Olivia d'Abo
I've always wanted to play 'Lady Macbeth' and Strindberg's 'Miss Julie'.
The first time I saw 'Macbeth' was not the entire play. It was at acting school, and this student was working on Lady Macbeth's soliloquy. I felt something very special, and I knew then that I would one day experience Lady Macbeth, but I always thought it would be on stage and in French.
I think 'Macbeth' was a play that I've always gotten so much out of. My wife played Lady Macbeth in a play, and I designed it. There are things in there that are just kind of extraordinary.
I want to play Lady Macbeth. I have a big chip on my shoulder about Lady Macbeth. People usually play her as this cold, Greek witch, but there's no evidence of that in the text! I think her intentions are pure.
August Strindberg gave me the opportunity to have this incredible story [Miss Julie ], about the class system, about unfairness in life, but also this story about man and woman. What I wanted, because he gave me the freedom, to give her a voice that I missed a little in her.
I was very surprised that they would ask a foreign actress to be Lady Macbeth, but I felt it was an opportunity that I couldn't miss. Having the opportunity to play Shakespeare in English - that wouldn't come twice.
I went to a Jesuit school and they did a William Shakespeare play every year. I got to know Shakespeare as parts I wanted to play. I missed out on playing Ophelia - it was an all-boys school. The younger boys used to play the girls, I played Lady Anne in Richard III and Lady Macbeth, then Richard II and Malvolio. I just became a complete Shakespeare nut, really.
I want to be evil! I did play Lady Macbeth on stage to Alec Baldwin's Macbeth back in New York in 1998. But I've played a lot of characters who are so righteous and understanding. I don't want to be a goody-goody two-shoes all the time.
I'd really like to play Lady Macbeth.
To mankind in general Macbeth and Lady Macbeth stand out as the supreme type of all that a host and hostess should not be.
Macbeth is a very popular play with audiences. If you want to sell out a theater, just mount a production of Macbeth. It's a short play, it's an exciting play, it's easy to understand, and it attracts great acting.
I want to play Eva Peron. I've already done a lot of Shakespeare, but I'd like to do Lady Macbeth.
When I was told that I was being offered a role in 'Miss Julie,' I already knew I wanted to do it.
I had the advantage, that I know Swedish. So I had the Swedish book and I had a lot of English translations, and German translations, and I did everything to make the best English translation of August Strindberg's Miss Julie I could. And then, there I went. "Oh! I think she's thinking this, but I think she should say it!" And so on. It's wonderful to do that.
I'd like to play something classical. I'm in the Strindberg society, and we do readings of Strindberg plays. I'd love to do Nora in 'A Doll's House.' And Chekhov. I have been working back to back on what I call 'regular jobs,' so it's hard to do plays.
The idea of Macbeth as a conscience-torm ented man is a platitude as false as Macbeth himself. Macbeth has no conscience. His main concern throughout the play is that most selfish of all concerns: to get a good night's sleep.
The most likely explanation is the most practical. 'Macbeth' is a very popular play with audiences. If you want to sell out a theater, just mount a production of 'Macbeth'. It's a short play, it's an exciting play, it's easy to understand, and it attracts great acting.
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