A Quote by Olivia Munn
I am the same on camera as I am off. I can't imagine being any other way.
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I guess people wonder if I'm the same on camera as I am off, and I'm pretty much the same, I really am. But that's always asked of me.
I am not a follower of Monet. I am not an admirer or follower of De Kooning. I am not an action painter. I am not an abstract expressionist. I am not younger or older. I will not take my hat off to any other artist living or dead in all the world. I know this.
I'm the same as I am on the field as I am off the field. It's not an act. I can't be another person on the field as opposed to being off the field. I am on who I am off.
I know that in many things I am not like others, but I do not know what I really am like. Man cannot compare himself with any other creature; he is not a monkey, not a cow, not a tree. I am a man. But what is it to be that? Like every other being, I am a splinter of the infinite deity, but I cannot contrast myself with any animal, any plant or any stone. Only a mythical being has a range greater than man's. How then can man form any definite opinions about himself?.
I am interested in giving the reader true vertigo. I look to deteriorating consciousness as our inevitable condition and I am trying to make it work the same way I did with my juvenile mind - that is, to imagine how we are suffering. To record it being actual and then virtual.
I couldn't imagine any other way of living, outside of books, outside my work. Which doesn't mean I am not interested in other things, of course - I am interested in many things. But the center, the crux, is always literature.
Couldn't imagine any other way of living, outside of books, outside my work. Which doesn't mean I am not interested in other things, of course - I am interested in many things. But the center, the crux, is always literature.
We're so conditioned to the syntax of the camera that we don't realize that we are running on only half the visual alphabet... It's what we see every day in the magazines, on billboards and even on television. All those images are being produced basically the same way, through a lens and a camera. I'm saying there are many, many other ways to produce photographic imagery, and I would imagine that a lot of them have yet to be explored.
What's cool is that Oprah is the same person on stage and in front of a camera as she is off stage and behind the scenes. She speaks the same way on camera as she does off camera.
Within me is the potential to commit every evil act I see being committed by other men, and unless I feel this potential, I can at any moment be controlled by these same urges. I am free from these urges only if I recognize when I am feeling them, and while feeling them and acknowledging them to be me, choose not to follow them. Only in this way can I begin to regain the disowned parts of me. And only in this way can I know what it is I am criticizing in others.
I don't try to hide who I am when I appear in public places, act, or attend interviews. If I do, it makes the gap even wider. I like it best when someone says I'm the same on television, on camera, or off camera. This makes it easier for me.
I am gaining in health slowly, and am quite cheerful in view of my approaching end, - being fully persuaded that I am worth inconceivably more to hang than any other purpose.
I am interested in a lot of the same things people are interested in. I am trying to raise kids without them self-destructing. I am trying to hold the marriage together, and I am trying to take off the same 10 pounds everyone else is.
All my coaching life, I am the same, always on the touchline, the same way. I am in the game all the time. I am focused.
I am dead already. Physical death will make no difference in my case. I am timeless being. I am free of desire or fear, because I do not remember the past or imagine the future. Where there are no names and shapes, how can there be desire and fear? With desirelessness comes timelessness. I am safe, because what is not, cannot touch what is. You feel unsafe, because you imagine danger. Of course, your body as such is complex and vulnerable and needs protection. But not you. Once you realize your own unassailable being, you will be at peace.
For me, fiction belongs to my inner being, is something essential which defines me - I am a fiction writer in the same way I am a woman, the same way I am dark-haired - it is something essential and structural. It's like an exogenous skeleton that keeps me going. And I don't know how I would manage to live without writing, working with words.
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