A Quote by Olivia Newton-John

I took you to an intimate restaurant, then to a suggestive movie. There's nothing left to talk about, unless it's horizontally. — © Olivia Newton-John
I took you to an intimate restaurant, then to a suggestive movie. There's nothing left to talk about, unless it's horizontally.
I knew that this was what I wanted to talk about on stage. There was no point being coy about it, or pretending that I wasn't gay. That was the substance of my whole act. If you took that away, there would be nothing left.
I knew that this was what I wanted to talk about on stage. There was no point being coy about it, or pretending that I wasn't gay. That was the substance of my whole act. If you took that away, there would be nothing left
There was so much talk about the movie and we thought, "Wouldn't it be great to still do the movie, but to give everybody this thing they didn't see coming?" Even with the number of episodes, it was reported that there was going to be 10 episodes, and then there was talk about adding more.
When I left, I had learnt nothing. I took nothing with me. At least, that's what I thought then.
When we can demonstrate that we can take off horizontally and put something into orbit, then we can begin to talk about increasing the amount of payload. But to say, 'I'm going to do that and put people into orbit' is a real leap.
There's nothing like a home-cooked meal - nothing! When people ask me what the best restaurant in L.A. is, I say, 'Uh, my house.' It's more intimate. Food can connect people in a forever sort of way.
But when I took up my pen, my hand made big, jerky letters like those of a child, and the lines sloped down the page from left to right horizontally, as if they were loops of string lying on the paper, and someone had come along and blown them askew.
Nothing will change unless you talk about it.
When I am working on a movie, all I want to talk about is the movie. All I want to be with are the movie people. It's like a clan. If I'm asked to people's houses for dinner, I hate to go, because they'll talk about other things.
If the movie is terrible you can have fun. You can joke about it and have a ball. The movie is already sort of established as a kind of extraordinary piece of work even though it hasn't opened yet to the public. It is harder because you can't go against it and you can't be interesting. You have to go with the flow. Although one is very happy to be in it, it is sort of hard to talk about it. It is hard to talk about successful. It is much easier to talk about failure.
You can tell when someone likes you just because you're in a movie, because all they talk about is the movie, and all they talk about is the movie business.
Like most writers, we like to find what we know and pass it along to anyone who cares. When that's done, as soon as we've said the best we can say, there's nothing else about us that's remotely interesting to anybody else, and we go back behind the walls. We can be intimate in books, we can be intimate in talks, but then we need time to be alone.
When I was 11 or 12 - a young boy in Japan - one of my older brothers took me to a sushi restaurant. I had never been to one, and it was very memorable. Back then, sushi was expensive and hard to come by, not like today, when there's a sushi restaurant on every street corner and you can buy it in supermarkets.
First they arrested the Communists - but I was not a Communist, so I did nothing. Then they came for the Social Democrats - but was not a Social Democrat, so I did nothing. Then they arrested the trade unionists - and I did nothing because I was not one. And then they came for the Jews and then the Catholics, but I was neither a Jew nor a Catholic and I did nothing. At last they came and arrested me - and there was no one left to do anything about it.
Unless you can be in a place yourself and go through the subject of your story yourself, the next best thing is not to read a book about it, or see a movie about it, it's to talk to the people who've been there.
People who have left the group talk about how a religious inspiration took them to ISIS. It was their feeling of being marginalized as Muslims in the society where they were living, and then buying into the promise of a caliphate and of a Muslim land that is governed as in the time of the prophet. I have yet to meet anybody, or speak to anybody, who was not religiously motivated at some level.
This site uses cookies to ensure you get the best experience. More info...
Got it!