A Quote by Olivia Newton-John

I'm so happy with 'Grease' and 'Xanadu,' particularly because of the music in both films. — © Olivia Newton-John
I'm so happy with 'Grease' and 'Xanadu,' particularly because of the music in both films.
After we got our first family car with a tape deck, my dad acquired exactly three cassette tapes: A 'Best of ABBA,' 'Private Heaven' by Sheena Easton, and the soundtrack to 'Xanadu.' I also unironically love 'Xanadu.'
I like to try to keep my music happy because it can make other people happy. And that's the way I feel when I listen to Avicii's songs. I get happy because his melodies are so happy.
I had fame and wealth and things that are supposed to make you happy, but I wasn't happy, because there's no importance on having a fulfilling life. So in my mid-40s, that was my pursuit - making films that interested me, films that I would like to go see.
I grew up with two sisters, and we owned three movies: 'Grease,' 'It's a Wonderful Life,' and 'Grease 2.' And you can only watch 'Wonderful Life' in the last half of the year. So I don't remember a time when I didn't know 'Grease.'
I'm not particularly interested in working with movie stars. It depends on where you come from, I suppose. Why are you making films? The reason I want make films is because they convey ideas. I think some directors make films because they want to hang out with movie stars and be part of Hollywood. They want to be a star themselves.
I am inspired by both Japanese Samurai films, in particular the films of Kurosawa, and how they share the spirit of American Westerns, with the influences running in both directions, and including the 'Spaghetti Westerns' and films of Sam Peckinpah.
The richest people in the world aren't particularly smart or happy. And the happiest people in the world aren't particularly smart or rich.… That leaves me making music. But we can't talk about that.
'Grease' was how I learned that I really liked music and musicals and movies that included music.
Come to think of it, some of the most special films in my career were 'City Of Life' and 'Happy New Year.' For both these films, I stayed over a month in Dubai and just when I was thinking that I need one more film like that, that's when 'Kung Fu Yoga' happened.
I love Jane [Krakowski]. Jane's been a dear friend for maybe a dozen years. We've worked together on many shows and concerts and readings. We did 'Damn Yankees' together and then we did 'Xanadu.' Jane did all the workshops of 'Xanadu' before it moved to Broadway. She's hysterical and our voices blended. We had a similar sensibility.
As goofy as it sounds, I try to sing in the morning. It's hard both to sing and to maintain a grouchy mood, and it sets a happy tone for everyone - particularly in my case, because I'm tone deaf, and my audience finds my singing a source of great hilarity.
Regarding gay and music, I don't actually think my music is particularly gay at all, because my music doesn't have sex with men. My music does not have a gender, I don't see it as being gay.
Before Grease 2, I was called the next Richard Gere, then after Grease 2, nobody would touch me.
Before 'Grease 2', I was called the next Richard Gere, then after 'Grease 2', nobody would touch me.
Do you like foreign films?” “With subtitles?” “Yes.” “I hate those types of films.” “Me too,” Cliff says. “Mostly because - “ “No happy endings.
I'm particularly happy that the Ronald Reagan Building is both public and private, and embraces his lifelong belief... in free and open trade.
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