A Quote by Olivia Newton-John
We print 37 million copies, and we found out about the unfortunate news as we were putting the issue to bed.
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'X-Force' #1 sold 5 million copies. By default, the second issue dipped and did 1.3 million copies. But the cover of 'X-Force' #2 is Deadpool. It's not X-Force, It's Deadpool.
Basically, I've reached the point where I've lost any direct relationship to any of the editors I used to have. I suspect I'll have to pay to publish this myself, and I think a lot about about putting out fifty copies. I used to think about hogwash like my legacy and silly things like that. But I feel like if I never have another book out, I've done okay, I've had like twelve or thirteen little books, and I won't be upset about this on my death bed.
When Emily Dickinson's poems were published in the 1890s, they were a best-seller; the first book of her poems went through eleven editions of a print run of about 400. So the first print run out of Boston for a first book of poems was 400 for a country that had fifty million people in it. Now a first print run for a first book is maybe 2,000? So that's a five-time increase in the expectation of readership. Probably the audience is almost exactly the same size as it was in 1900, if you just took that one example.
'New Mutants' #100 went out the door with over a million copies. It is the highest-selling last issue of any comic ever. And that's when I knew that I spoke fandom. I spoke their language.
To hell with news! I'm no longer interested in news. I'm interested in causes. We don't print the truth. We don't pretend to print the truth. We print what people tell us. It's up to the public to decide what's true.
The New York Times claims that they publish all the news that's fit to print but what they really do is print all the news that supports their agenda. What they are is the power base of the left.
I was given a chance to re-haul 'New Mutants' and take it from the dog of the 'X-Men' office to 1 million copies with its final issue.
Self-publishing worked for me. Being able to put your work in print, even if it's a tiny print-on-demand print run of a dozen or so copies, shows publishers and editors a completed piece of work and that you can follow through on a project.
Good relations with Russia are great news. Putting a stop to the [Transatlantic Trade and Investment Partnership] is great news. Defending American industry against the invasion of Chinese products. Renegotiating the role of NATO. And a similar approach on the issue of immigration. This is all great news.
You know, if a band on a label sold a few hundred thousand copies of their record these days, they wouldn't make any money. But if a band can pump out 10 million copies of a record for free, and 50,000 of those fans come to the band's website to watch pay-per-view videos or buy a t-shirt, that's roughly $10 million in revenue per year.
I found out - the paper used to go to bed on Tues - on Monday. I found out that on Monday nights, the editors would cut out - literally cut out passages, sometimes whole paragraphs, of some of the writers that might possibly offend blacks, lesbians, gays, radicals. And I wrote a couple of columns about that. And they're - of course, they were annoyed that I had written about it, but, I mean, it - another example - and [my wife Margot] always also conjured that.
We sold 1.5 million copies of the 'Abracadabra' album and 26,000 copies of 'Italian X-Rays.'
I heard a quote once in a documentary about a band that said you're better off owning everything 100 percent and selling 20,000 copies of an album than signing with a record company and selling a million copies. There has never been a truer statement about show business than that.
With 'Broadcast News,' it became a non-issue, and with 'The Piano,' it became a non-issue. Both parts were written for more statuesque women. It was nice to change people's minds about that, because that's neither here nor there.
In 1936, money had no important role. Interest rates were one-eighth of one-eighth of one per cent. I did some research, and I found that the interest on one million dollars of ninety-day Treasuries was $37. People didn't even bother to collect it. The Fed wasn't important.
Do you know they've already seen a drop of 37% in donations [for Clinton Global Initiative]? Now, if it's a charity, why a 37% drop? There's a 37% drop because the donors figured out the Clintons can't do anything for 'em anymore. That's not pretty.
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