A Quote by Olivia Thirlby
When we were filming 'The Darkest Hour,' we didn't even know what the aliens were going to look like, we didn't even have a graphic reference. So it was definitely a big challenge to sell those kind of extreme moments when you're just generating them from your own imagination.
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I rely on some words that actually my husband said to me. He jokes about saying, "You know it's only darkest before it's totally black!" Even in my darkest hour - and my darkest hour was probably when I lost both my parents - I look to him and I see what he has endured, what he has overcome, what he is doing with his life, and just how he's lived his life.
I'm kind of surprised that so many of those other books were almost exactly like mine. They even follow the form. There were some books that even copied the stamp. It shows so little imagination.
We were going for an otherworldly feel, you know a lot of people tell us we look like aliens anyway. I don't know if it's just because there's two of us and we have big eyes and long necks.
From the beginning [of the film The Darkest Hour], [aliens] it's a metaphor for the foreigners and from the beginning of the movie, American boys feel themselves like aliens here or they feel like Russians are aliens. There's misunderstanding or miscommunication. Then when the real aliens appear, together they have to fight to survive.
And Barack and I were raised with so many of the same values, like you work hard for what you want in life. That your word is your bond; that you do what you say you're going to do. That you treat people with dignity and respect, even if you don't know them and even if you don't agree with them.
The things that I have said when I was young and curious about whatever the subject matter was, I respect those - those are growing pains. Even if you make mistakes, I go back to those things, my not-so-great moments because those are my truest moments; those are my human moments. I'm not even mad at the things I said that were a little dicey.
A lot of it was, you know, you look for moments where, for instance, we were dependent on Abraham Lincoln making sure that the slaves were freed or John Kennedy bringing civil rights, or the first one I wrote about, George Washington trying to stop the British from invading and ending this country before it even began. Those were turning points where, if you had not had a president stepping up to the plate, if there wasn't a story like that, we would not be here.
Yes, I sell people things they don't need. I can't, however, sell them something they don't want. Even with advertising. Even if I were of a mind to.
After the NFLPA game, coaches were coming up to me and saying, 'We didn't even know who you were, we didn't even know your name; we weren't supposed to be even looking at you, but man, we have no choice.' And, like, the NFLPA game, I wasn't even invited until the last minute.
I didn't know it was even possible to sell humans. I thought people can only sell animals, chickens. But I didn't even know that kind of concept - human traffic - can be exist in the world. So I just couldn't process it when I heard it.
That was the thing about best friends. Like sisters and mothers, they could piss you off and make you cry and break your heart, but in the end, when the chips were down, they were there, making you laugh even in your darkest hours.
Making a fantastical world real is a bit of a challenge, for sure. When you're on set and you have a green screen you're working with where you'll pretend there's a giant lizard chasing you when there's nothing there. Being shown the images of what the creatures were going to look like and then having to react to them realistically without feeling like you're a crazy person. You kind of have to go for it. In order to sell it to the audience, you can't really hold back.
Oh, my God. What if you wake up some day, and you're 65 or 75, and you never got your novel or memoir written; or you didn't go swimming in warm pools or oceans because your thighs were jiggly or you had a nice big comfortable tummy; or you were just so strung out on perfectionism and people-pleasing that you forgot to have a big juicy creative life, of imagination and radical silliness and staring off into space like when you were a kid? It's going to break your heart. Don't let this happen.
Once I was in the Blink-182, going to Iraq was really touching. It was kind of emo for me, going and meeting soldiers who were, like, 19 and hadn't even met their kids... Or dealing with depression. Just being with those soldiers and traveling with them in helicopters and people with M-16s. It was an eye-opener.
None of the established museums were treating cartoons seriously. It was considered a lesser art or no art at all, just a way to sell newspapers. Even the syndicates who were dedicated to the cartoons were throwing them out, figuring they had no value after they were printed.
The only thing Jess really cared about were those two children and letting them know they were okay. Because even if the whole world was throwing rocks at you, if you had your mother at your back, you'd be okay. Some deep-rooted part of you would know you were loved. That you deserved to be loved.
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