A Quote by Olivia Wilde
All actors should experience public failure.
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Failure is not fatal. Failure should be our teacher, not our undertaker. It should challenge us to new heights of accomplishments, not pull us to new depths of despair. From honest failure can come valuable experience.
The failure to invest in our public transportation and public life, I think, is a scandal and a shame, and it should be a national embarrassment.
Why do we fail? Is it because we are unlucky? Is it because we have not worked very hard? I s it because we have not invoked God's Compassion and Blessings? Is it because God has accepted this failure as an experience He wanted to have in our life? Is it because God has granted this failure to us? Is it because God has willed that we should lose? No! not it is for a different reason that we experience failure. It is for the strengthening of our consciousness that, at times, God grants us defeat.
There is always a half-malicious curiosity amongst actors to witness the shortcomings of a novice. They invariably experience strong inclinations to prophesy failure.
The budget should be balanced, the treasury should be refilled, the public debt should be reduced and the arrogance of public officials should be controlled.
Don't be discouraged by a failure. It can be a positive experience. Failure is, in a sense, the highway to success, inasmuch as every discovery of what is false leads us to seek earnestly after what is true, and every fresh experience points out some form of error which we shall afterwards carefully avoid.
Ownership by delegation is a contradiction in terms. When men say, for instance (by a false metaphor), that each member of the public should feel himself an owner of public property-such as a Town Park-and should therefore respect it as his own, they are saying something which all our experience proves to be completely false. No man feels of public property that it is his own; no man will treat it with the care of the affection of a thing which is his own.
Failure to spend the [presentation] time wisely and well, failure to educate, entertain, elucidate, enlighten, and most important of all, failure to maintain attention and interest should be punishable by stoning. There is no excuse for tedium.
I'm happy that I wrote 'How Should a Person Be?' and I wouldn't have written that exact book if we had just done the play. So much of the book is about the anxiety of failure - the failure of the play and the failure of the divorce and the failure of not feeling like a good person.
I constantly experience failure in that my work is never as good as I want it to be. So I live with failure.
The budget should be balanced, the Treasury should be refilled, public debt should be reduced, the arrogance of officialdom should be tempered and controlled, and the assistance to foreign lands should be curtailed lest Rome become bankrupt. People must again learn to work, instead of living on public assistance.
People should be shrouded in mystery. Especially actors. No, hang on, maybe actors should be blown up.
You know, young actors say all the time, 'Should I use my own life experience?' And my response is, 'What choice do you have?'
When anarchists are having a debate, they're having a debate about tactics, 'Should you do this?', 'Should you do that?' The question isn't 'Should you do this?', 'Should you do that?', the primary question is how do you build confidence among the masses of people who experience hierarchies, who experience exploitation, who experience oppression.
Honestly, in retrospect, when I referred to the actors from 'Prince' as non-actors or non-professionals, it was actually a great disservice to them. The fact is that they are all actors and should be viewed that way by the industry. It was our casting process that was non-professional.
Divorce is never a pleasant experience. You look upon it as a failure. But I learned to be a different person once we broke up. Sometimes you learn more from failure than you do from success.
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