A Quote by Olivia Wilde

My dad is Irish. I spent my childhood going back and forth between Ireland and America. — © Olivia Wilde
My dad is Irish. I spent my childhood going back and forth between Ireland and America.
I'm from an Irish family and, even though I grew up in 80s London, I spent a lot of my childhood in southwest Ireland.
I had what you could call a chaotic childhood. My parents divorced when I was 2; I went back and forth between my mom's and dad's houses for years.
When I look back on my childhood I wonder how I survived at all. It was, of course, a miserable childhood: the happy childhood is hardly worth your while. Worse than the ordinary miserable childhood is the miserable Irish childhood, and worse yet is the miserable Irish Catholic childhood.
Throughout my childhood, I did a form of Irish dancing that was kind of the precursor to 'Riverdance.' It was a mixture of ballet and Irish dancing that my teacher, Patricia Mulholland, had invented, essentially. It was Irish ballet, and she would create performances based around the myths and legends of Ireland.
The state of love is this constant flux back and forth between who's saving and who's rescuing, who's wanting and not wanting, who's needing and who isn't. It's always going back and forth between two people who are actually attached.
I do go back to Ireland, and I'll probably be doing a film in Ireland in January, and I guess that kind of keeps me classified as 'the Irish actor,' but the last four or five projects that I've been in are either American or English, so I don't feel terribly trapped in that. But sometimes, yeah, you would like to not be called 'the Irish actor.' You'd prefer to just be called 'the actor.'
I think I was always informally thinking about choice from when I was a very young child because I was born to Sikh immigrant parents, so I was constantly going back and forth between a Sikh household and an American outside world, so I was going back and forth between a very traditional Sikh home in which you had to follow the Five K's.
I had what you could call a chaotic childhood. My parents divorced when I was 2; I went back and forth between my mom's and dad's houses for years. But, you know, my parents tried to do the right thing. As crazy as everything was, and as much fighting and everything, there was always a feeling of support from them.
Ireland is a series of stories that have been told to us, starting with the Irish Celtic national revival. I never believed in 'Old Ireland.' It has been made all of kitsch by the diaspora, looking back and deciding what Ireland is. Yes, it is green. Yes, it is friendly. I can't think of anything else for definite.
My dad moved to London in his early 20s and didn't really go back. So the irony is I've spent lots and lots of time in Ireland, but not with my dad. I've shot films in Belfast, where he's from. And I've shot in Dun Laoghaire. Which is great. And I've shot in Dublin.
I think people saw him as someone who did good things for Ireland. If you looked at all the Irish actors in 'Excalibur' alone - Gabriel Byrne, Liam Neeson - there was a whole gaggle of Irish actors who've gone on to become stars, so Dad was really part of that.
My dad's Irish, so I was visiting Ireland a lot as a kid, so it's not totally foreign to me.
I want to give Irish kids something to be proud of back home. I want to bring out a stronger image of Ireland instead of 'Irish Spring' and 'Lucky Charms' and all that rubbish.
If Irish or Italian culture dies in America it really isn't that big a deal. They will still exist in Italy and Ireland. Not so with us. There is no other place. North America is our old country.
A Canada-style deal for the whole of the UK results in a hard border between Northern Ireland and the Republic of Ireland. For that reason, it has never been acceptable to the EU without a permanent hard border down the Irish Sea.
Father Ted' would be impossible to remake it in America. The whole situation of being Irish and being a priest in Ireland is so different than anything else in America.
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