A Quote by Olivia Williams

For me, selfishly, The Postman didn't kill my career. It meant I didn't shoot straight and painfully into the limelight, but Rushmore came out of it. No one would have known where I was to cast me in Rushmore had I not been in The Postman. Because they shared a producer. Nor would I have been in The Sixth Sense. Nor would I be speaking to you now if Kevin Costner hadn't cast me in The Postman.
When I did a sitcom and played a postman, I was brought to tears playing that postman, because I felt like one. I didn't grow up even wanting to be a post man. Now, I understand the meaning of the term "postal." I was bored to tears. And what was funny was that the producer actually looked like a bug.
That was a bizarre and unlikely event, which has misled a generation of drama students from my old drama school that dreams really do come true. I was an unemployed actor. I had been an actor for about eight years, and had worked in theater, and done a tiny bit of TV, and somehow an audition video of mine ended up on Kevin Costner's television screen, and he rang me up and invited me to fly first-class to Hollywood and be in his movie The Postman.
Tohru: Call a doctor, or a vet, or anybody! Oh, Mr. Postman, it's terrible! You see, they're animals! Postman: Uh, yes, they certainly are. Here's your mail.
I don't want the giant ego. I don't want to become Kevin Costner, singing on the soundtrack to The Postman.
I imagined that being someday in pro ball I would have been Kevin Costner in Bull Durham. If I had never discovered acting, I literally would have been that guy.
He's like a terrier, Scholes, he won't let go - even the postman would be afraid of him.
Well, Kevin Downes is the producer of Mom's Night Out. He was a fellow actor with me in the movie Courageous. He plays my police partner and we have been friends for several years. He came and helped me on Courageous and said 'Would you come help me on Mom's Night Out?'
... the advantages of being a postman seemed more and more dubious. It is not a congenial profession for anyone who is at all sensitive, for people visit upon the postman all their first annoyance at receiving a couple of bills when they looked for a love-letter, and if a packet is insufficiently stamped they hand over the pennies as though to a despicable bandit, too outrageous to be denied, too groveling to be feared.
I don't know if I would have had the same career had I not done 'GoodFellas.' Probably not. Would I have been cast on 'The Sopranos?' Who knows if there would have been a 'Sopranos?'
Had I no eyes but ears, my ears would love. That inward beauty and invisible; Or were I deaf, thy outward parts would move each part in me that were but sensible: Though neither eyes nor ears, to hear nor see, yet should I be in love by touching thee. 'Say, that the sense of feeling were bereft me, and that I could not see, nor hear, nor touch, and nothing but the very smell were left me, yet would my love to thee be still as much; for from the stillitory of thy face excelling comes breath perfum'd that breedeth love by smelling.
Luck lies in bed, and wishes the postman would bring him news of a legacy; labor turns out at six, and with busy pen or ringing hammer lays the foundation of a competence.
I remember being cast in the first "Harry Potter" film and being quite amused, because I was imagining that someone who'd been acting since they'd been crawling would be cast. The faith and trust that they'd put into everyone actually enabled you to gain confidence back, in the sense of feeling that sense of achievement, which is incredibly hard when you're young.
I've always been a daydreamer, and sometimes in lessons my mind would drift and I'd imagine that on the way home a terrorist might jump out and shoot me on those steps. I wondered what I would do. Maybe I'd take off my shoes and hit him, but then I'd think if I did that there would be no difference between me and a terrorist. It would be better to plead, 'OK, shoot me, but first listen to me. What you are doing is wrong. I'm not against you personally, I just want every girl to go to school.'
I was cleaning out the pigsty at a farm in Wales, where my mother had rented a room, when the results of my final school exam were handed to me by the postman, along with the news that I had a state scholarship to Oxford. I had waited for this letter for so many weeks that I had abandoned hope, deciding that I had failed ignominiously.
If I revealed all that has been made known to me, scarcely a man on this stand would stay with me.' and 'Brethren, if I were to tell you all I know of the kingdom of God, I do know that you would rise up and kill me.
What people that are professionals in the art world - both in literature and the other arts - always try to do is to recognize the feasibility of making the transition from the particular to the general - to make the transition from the portrait of one postman - to take Van Gogh, for example, to something that is every postman. That synecdotal transition that most selfies don't make. But we who live in this world, and not simply in our private realities, understand that that's the transition our art has to make.
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