A Quote by Olivier Assayas

I think that the mourning process of the film involves discussing it, dissecting it, and at some point, you get bored with it. I'm not there yet, but I know I will be there at some point. That's the moment when I know I need to turn the page and move on and recharge my batteries.
Women, in order to recharge their batteries, gather in groups. They can recharge their batteries with their sisters. I tend to recharge my batteries in solitude, therefore the motorcycle trips. I need to be alone. As a matter of fact, I have to be careful. I could turn into a hermit.
At some point, you have to sit down and face the page alone. At some point, the final decisions need to be yours. At some point, you have to give yourself deadlines and stick to them.
I like some time away to recharge the batteries, not only physically but emotionally, so that I get to the point where I'm just dying to direct again, and then that's the right time to do it again.
I like some time away to recharge the batteries, not only physically, but emotionally so that I get to the point where I'm just dying to direct again and then that's the right time to do it again.
Consider a man riding a bicycle. Whoever he is, we can say three things about him. We know he got on the bicycle and started to move. We know that at some point he will stop and get off. Most important of all, we know that if at any point between the beginning and the end of his journey he stops moving and does not get off the bicycle he will fall off it. That is a metaphor for the journey through life of any living thing, and I think of any society of living things.
I know from an editor's point of view or a publisher's point of view it's easier to slot me into a particular niche. But I know that I'd be bored unless I wrote a book that in some senses was a challenge.
I noticed that there are no B batteries. I think that's to avoid confusion, cause if there were you wouldn't know if someone was stuttering. 'Yes, hello I'd like some b-batteries.' 'What kind?' 'B-batteries.' 'What kind?' 'B-batteries!' and D-batteries that's hard for foreigners. 'Yes, I would like de batteries.'
It's easy to think that craft can't change but important to remember that all craft process was at some point new, at some point challenged convention - not to be contrary, but enabled by some breakthrough, some newly discovered principle, or sometimes some wonderful accident.
The journey of life is like a man riding a bicycle. We know he got on the bicycle and started to move. We know that at some point he will stop and get off. We know that if he stops moving and does not get off he will fall off.
My writing's like a journey. I'll know some of the stops ahead of time, and I'll make some of those stops and some of them I won't. Some will be a moot point by the time I get there. You know every script will have four to six basic scenes that you're going to do. It's all the scenes where your characters really come from.
It's different for every project. Some parts are quicker than others to get and know; sometimes right up until the last moment you're just praying that something will click. But you can only do a certain amount of work and then at some point you've got to think: 'OK, I'm just going to have to leap now.'
As long as our user base continues to grow, at some point it will have critical mass, and at some point it will tip, and at some point, people will just have to use WhatsApp because their friends are using WhatsApp.
You probably need 1/10 of the world's population for us to continue to exist. There's just too many damn people. You have to somehow get us from 7 billion people to... I don't know what the magic number is, but I imagine at some point, that will happen. And I don't know about you, but I don't think I'm making the cut.
It doesn't matter how far you might rise. At some point you are bound to stumble because if you’re constantly doing what we do, raising the bar. If you're constantly pushing yourself higher, higher the law of averages not to mention the Myth of Icarus predicts that you will at some point fall. And when you do I want you to know this, remember this: there is no such thing as failure. Failure is just life trying to move us in another direction.
Normally my process is to sit in a room and read a script and talk about it and ask questions and just create a dialogue. That goes all the way through shooting. All kinds of thoughts and ideas can find their way in there. As long as you're all on - We're just all trying to tell the story so my job as a director is just to find out what this film wants to be based on, it's just words on a page at some point but then it just needs to go to some level of believable storytelling. I'm discovering the film as I make it, to some degree.
From my point of view, it is better to take the chance, having had nine jobs in 10 years, to recharge my batteries
This site uses cookies to ensure you get the best experience. More info...
Got it!