A Quote by Olivier Theyskens
I am more used to seeing my work like a big collection, and only part of it is being shown.
Related Quotes
I was so unsuccessful for so long. I was used to the word no. I was used to you're not good enough or not quite there or you need to fix this about you. So I am honestly walking in faith every single day that I am going to be able to handle whatever God has for me. I am not used to being in a place where people appreciate my work and understand my work and want to be a part of my work and getting something out of my work because for so long it was so misunderstood. The success part for me is the hardest part and everyday I'm still battling.
I had to get used to seeing Samantha Bee around. I had to get used to seeing Jon, like, getting a bagel, and to John Oliver, and all these people whom I had seen on TV. Colbert would sometimes drop by. I had to get used to being a part of this multiple-Emmy-winning machine and being this 22-year-old black girl who was really green.
I'm used to spending a lot of time with my team. They're not only collaborators, they're also friends. It's the biggest part of your life that you share with these people. But sometimes being on the top of this pyramid, you need to be a little bit tough. This job is becoming very tough for every company because of timing. You don't have the time to finish the collection before you have to think about the next one. But I am never loud. I don't like to scream. So we are all working hard, and sometimes you need to reassure them.
Well, when I was really young and we lived in Sweden, the only films that were around at that point were... We had this collection of these super-8 highlight reels that they used to sell; like, they sold these super-8 reels that only had the best parts from a movie. So early on that's what I was seeing.
Japoneese people take themselves very serious and you can see it by everything they do - it's like a different part of the scale or spectrum in being a human, and it's something we're not used to seeing in America. And then when you see it, you do have the moments of infatuation; you get caught up in it, but there's so much more to it.
There is something very cyclical about the way fashion designers work. They work and work and work, the collection is finally shown, and after those 15 minutes, they must start over from the beginning. This is not unlike the way I work creating new dances.
I used to be a classic workaholic, and after seeing how little work and career really mean when you reach the end of your life, I put a new emphasis on things I believe count more. These things include: family, friends, being part of a community, and appreciating the little joys of the average day.
White people are getting more and more angry every day, Donald Trump was elected that the mask of civility - like an onion peeling - is being peeled off. Now naked hatred, not only in word but in deed, is being openly shown to us.
I'm wary about this thing about being in the generation of social networking where people are like, 'I am my musical taste.' I am not just a collection of music. Or a collection of movies. I think that's a thing that people romanticize: 'Oh my God, she likes this band so she is a dream.'
Making my work more visual is something I am increasingly excited about. I am hopeful that it will broaden access to some of the ideas being engaged in activist and scholarly communities of which I am part.
Being able to step away from your work is big. Not even the actual work of sitting down and looking at game tape, but actually putting your job aside and focusing on other things. That's a big part of being successful in this league.
I'm used to being the background. I'm used to having work that only lasts for a little while. I'm used to being - working in the real world, where real things are.
I am used to being places where I don't speak the language. What I am not used to is being in a part of a country where few people speak my language. Call it ignorance, arrogance, or what have you, but most places I have visited, I was lucky enough to be able to get by with English.
Organisation, far from creating authority, is the only cure for it and the only means whereby each of us will get used to taking an active and conscious part in collective work, and cease being passive instruments in the hands of leaders.
My point is that when you look at a rabbit and can see only a pest, or vermin, or a meal, or a commodity, or a laboratory subject, you aren't seeing the rabbit anymore. You are seeing only yourself and the schemes and appetites we bring to the world-seeing, come to think of it, like an animal instead of as a moral being with moral vision.
Part of the reason that I moved to Los Angeles is that even though my mom introduced me to all kinds of music, I really wanted to work on having my own identify, on being who I am and doing what I do, and seeing how people responded.
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