A Quote by Olivier Theyskens

Even during the golden age of fashion, you had haute couture houses where the designers didn't have money. — © Olivier Theyskens
Even during the golden age of fashion, you had haute couture houses where the designers didn't have money.
For me, haute couture is a necessity. I never would have done this job were it not for haute couture. It is a comfort, a security. I almost feel it is our duty to continue. Haute couture is France. We have to keep all the skills and craftmanship alive.
It really is the very top of the fashion world; nothing comes above haute couture. But not any old designer can create something magical and call it haute couture; the term is strictly protected for a very special few.
Couture is also a term used for top-of-the-range, to-order clothing - but not to the level of intricacy and expense as haute couture. And without the 'haute', the word 'couture' itself isn't protected.
Haute couture consists of secrets whispered from generation to generation, If, in ready-to-wear, a garment is manufactured according to standard sizes, the haute couture garment adapts to any imperfection in order to eliminate it.
When I was 18, my mum gave me all the clothes she'd had made at the famous haute couture fashion label, House of Worth, in Paris. Of course, I eventually trashed them all.
I want to give haute couture a kind of wink, a sense of humour - to introduce the whole sense of freedom one sees in the street into high fashion; to give couture the same provocative and arrogant look as punk - but, of course, with luxury and dignity and style.
I grew up in Milan during the golden age of designers. There was fashion all around.
I am very happy to design haute couture. It's a love story between couture and me.
Because I worked in fashion, I know that I like fashion. Haute couture is a form of art that I can appreciate. I'm definitely not someone who wakes up every day and thinks about what I'm going to wear, but on the red carpet, it's reflective of the mood I'm in, or the movie I'm going to represent.
I learned to work with my mother, who had an haute-couture business.
I think the golden age of couture had some of the most incredible customers: women like Nan Kempner and all the icons.
The ultimate art form of fashion is couture. I completely geek out when it comes to couture. It shows fashion as it used to be. I don't know how many people can actually afford the clothes, but in a way, that's beside the point.
I was taken to my first fashion show - Nina Ricci haute couture - in Paris by the White Russian princess, down on her luck, whom I was boarding with in Paris in 1963. I was captivated by the glamour of the gilded salon, the elegant clothes, and the audience of grand ladies.
With Dior Haute Couture, the dream is already there.
I have a very haute couture way of working.
Haute Couture should be fun, foolish and almost unwearable.
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