A Quote by Oliviero Toscani

I did extensive research on media and anorexia and found out that the fashion magazines are to blame in a way. They project an image of a woman that is completely absurd, but girls and women believe they should be very skinny. They don't look like real woman anymore.
After the baby, I got bigger, and I like it. I like me better now than when I was young and skinny. I don't understand this extreme fashion for being anorexic-skinny. We forgot about women with curves - real women. We're not embracing that anymore.
Our world has created a false unrealistic image of what women are supposed to look like and act like. But the truth is that every woman was not created by God to be skinny, with a flawless complexion and long flowing hair. Not every woman was intended to juggle a career as well as all of the other duties of being a wife, mother, citizen, and daughter. Single women should not be made to feel they are missing somenthing because they are not married. Married women should not be made to feel they must have a career to be complete. We must have the freedom to be our individual selves.
I think anorexia is a metaphor. It is a young woman's statement that she will become what the culture asks of its women, which is that they be thin and nonthreatening. Anorexia signifies that a young woman is so delicate that, like the women of China with their tiny broken feet, she needs a man to shelter and protect her from a world she cannot handle. Anorexic women signal with their bodies "I will take up only a small amount of space. I won't get in the way." They signal "I won't be intimidating or threatening." (Who is afraid of a seventy-pound adult?)
A woman's body and a woman's image is a very political thing, so I trust another woman to understand what that's like and how to portray it in a way people can relate to.
There's not a lot of positive role models of women in newspapers and magazines. I think it puts pressure on girls. They think that the image put out, it's the way you have to look.
My fascination with women's clothes began very early. My mother was a very fashionable woman. She also made her own clothes. She had these fashion magazines, and I would draw the women in them. My middle school art teacher suggested that I have a fashion drawing show.
A woman plays such an active role in society. And today, the woman who influences fashion is not that very rich woman who sits at home and polishes her nails. It's the one who works, who is a doer, who does things by dressing. She's very strongly projecting an image of herself as an individual.
Women sometimes really love to look at other beautiful women on the screen. But they don't look at a woman the way a man looks at a woman. They want to be that woman. They like if a woman is beautiful or sexy, especially if she's powerful. They like to see her catch a man, or to be powerful in the world. I think this is why a lot of women love noir films and classic films because they can really identify with these really strong, beautiful women. That's the kind of power that women have lost culturally.
A beautiful woman looking at her image in the mirror may very well believe the image is herself. An ugly woman knows it is not.
Because they dream so strongly in themselves, their superiority and women's inferiority, they project an image that a woman finds very, very difficult to fight against.
My dissertation was on the idea of feminine-themed women's magazines, so like how the ideal woman is put across by women's magazines.
The Maier woman is not a woman who doesn't have fun. My woman is not a woman who doesn't have a life. I like clothes to suggest something. I'm gay, but so what? I still have that sensibility that I like to look at a beautiful woman, and I'm as intrigued as any straight man. I probably look even harder because I like what you don't see.
The arena of women's lives is somewhat more intimate. If a woman goes out with an incredibly attractive man and they break up, that woman is not more attractive to men. It's completely irrelevant to them. That's an example of the way women's minds work.
As a young woman, I was disturbed by the fact that there was no imagery that truly expressed the experience of a young woman and the challenges and turbulence we go through. All we had were teenage magazines like 'Cosmopolitan,' which are very one-sided and show an objectified view of women.
We are trying to shine a light on the infantilisation of women in the music industry. It's in the fashion and media industries too - this idea that women are more attractive if they look like little girls.
Women are looking out for other women and their children. There are some great nannies, and there are some horrible nannies. And I don't blame individual women for wanting to keep an eye on it. I blame the government for not having subsidized high-quality day care. Should it be on a woman no matter how rich she is to be a one-woman show where she finds the nanny, interviews the nanny, does a psychological evaluation of the nanny, supervises the nanny? It's criminal how little America cares about child care, which is to me the pressing issue of our nation.
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