A Quote by Olivo Barbieri
I wanted to represent the world as a temporary art installation continuously changing. I wanted to consider it unreal and unfinished, judge and transform it, a possibility that only art gives us.
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What I never wanted in art - and why I probably didn't belong in art - was that I never wanted viewers. I think the basic condition of art is the viewer: The viewer is here, the art is there. So the viewer is in a position of desire and frustration. There were those Do Not Touch signs in a museum that are saying that the art is more expensive than the people. But I wanted users and a habitat. I don't know if I would have used those words then, but I wanted inhabitants, participants. I wanted an interaction.
When I was at art school, a lot of art education is about art being a means of self-expression, and as an 18-year-old I didn't know if I had a huge amount I wanted to express. It was a big moment when I decided I wanted to shift the emphasis or the intention of my art from something I disgorged myself upon and something that actually fed me or made me see the world or understand the world.
The task of art is to transform what is continuously happening to us, to transform all of these things into symbols, into music, into something which can last in man’s memory. That is our duty. If we don’t fulfill it, we feel unhappy.
People see owning a gallery as a way to get rich. I never thought that I could get rich in the art world. I wanted a life in art. I wanted to live with artists. I wanted to make beautiful shows.
All of the significant art of today stems from Conceptual art. This includes the art of installation, political, feminist and socially directed art.
Just as the development of earth art and installation art stemmed from the idea of taking art out of the galleries, the basis of my involvement with public art is a continuation of wall drawings.
I can consider not only great art, but the context in which that art has been created. I can consider the people who paid a price for that art to be created and whether or not I want to appreciate that art on their backs.
I never expected to sell my art. It wasn't like today where you come out of art school and they promise you a future. Now it's almost regulated in a way. When we came out of school, we just wanted to make art that'd blow your hair back and do it for sport. There was no commercial possibility that we saw.
Not all Peter Greenaway's stuff is sequential, narrative story. Some of it is like an art installation and I'm not particularly interested in being in an art installation to be honest. I'm interested in the story.
I have always wanted my art to service my people - to reflect us, to relate to us, to stimulate us, to make us aware of our potential. We have to create an art for liberation and for life.
Really the moment I decided I wanted to do art seriously, I left art school. I wanted to be with people who were interested in the same things I was: popular culture.
I became tired of submitting my art to a panel of corporate strategists who decide if it meets their standard of what gets into stores or not. It was quite simple for me: they act like judge and jury of my art, and that is unacceptable. I wanted to give it right to the public.
It's fun having songs about parties and gigolos, but I really wanted to use my music as a form of art. Art is supposed to spark conversation and make people think, and I wanted to do that with this song.
It's fun having songs about parties and gigolos, but I really wanted to use my music as a form of art. Art is supposed to spark conversation and make people think, and I wanted to do that with this song
I have studied the art of the masters and the art of the moderns, avoiding any preconceived system and without prejudice. I have no more wanted to imitate the former than to copy the latter; nor have I thought of achieving the idle aim of art for art's sake.
It is not quite accurate to say that the objective of art is to represent what happens to us as a consequence of encountering the world. A fuller description of the task would be to say our aim is to discover what happens to us as we consider things.
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