A Quote by Olly Alexander
For a long time - when we first started getting a much higher level of attention - I really struggled with feeling like I was letting people down. Because when you do a show, there are, like, a hundred fans waiting to see you afterwards, and sometimes you can't see them.
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I like the communication and trust that comes from a long-term relationship. When you really know people as musicians and as people, you feel you can really count on them. That frees you to take more chances and ... it takes the music to a higher level. It translates into a better product for audiences. There are two levels to these relationships. The first level is being with guys for the first few years, you're getting used to guys - he's got this to offer, he's got that to offer, I don't like this, I do like this. You both praise them and are critical as you get to know one another.
Don't talk like one of them. You're not! Even if you'd like to be. To them, you're just a freak, like me! They need you right now, but when they don't, they'll cast you out, like a leper! You see, their morals, their code, it's a bad joke. Dropped at the first sign of trouble. They're only as good as the world allows them to be. I'll show you. When the chips are down, these... these civilized people, they'll eat each other. See, I'm not a monster. I'm just ahead of the curve. -The Joker
To see fans singing our songs and loving them and dancing or crying to some of them, it feels like the first time you ever played it. It really gets to you, like day one.
There's a lot of people who don't want anything from me but to laugh and have a good time. You see them at the show and they like - they dress up to come see your show and stuff. And they pack these auditoriums and it's a lot of fun, man. It's like, this is how I started, and it's still fun for me.
It's been really fun to see with each album when I change to see the fans of the show emulate my style and with the first record a lot of the kids in the crowd were wearing neck ties like I was and now you'll see a lot of girls with pink hair. It's cool, it's actually really neat.
TIVO executives stand up and say, 'Well, we're not getting rid of commercials, but we are letting them fast forward, because people like commercials, and if they see one that they like they stop and watch it.' I mean, please.
People see my modelling and see me getting papped all the time and don't really get to see me because I don't do much TV or whatever.
I actually like a film in a gallery, because you don't have to show up at a certain time to see something, you can just walk in whenever. I like that freedom to be able to see something anytime. I personally don't mind watching something knowing that it's not the beginning and then just letting it run its cycle.
I'm drawn as well to the lower echelons of things because it struck me a long time ago that it didn't really matter on what level people were working on anything; it was just as important to them as the people working on what's perceived as a higher level.
I love independent films. I love going to see them. I love being a part of them because it kind of feels like 'all for one and one for all.' It can be really challenging but also really rewarding because sometimes you have to do so much stuff in a day, but I like that challenge, and you make such amazing friends.
I'd like to give people leaden boots in galleries, so they'd be a bit slower in front of my paintings. And that's because I spend so much time looking at them. I can look at them a long, long time without getting bored. I disappear.
Sometimes it’s like people are a million times more beautiful to you in your mind. It’s like you see them through a special lens—but maybe if it’s how you see them,that’s how they really are.It’s like the whole tree falling in the forest thing.
Really there's different scales of stories. Sometimes you want to tell one that 20, 30, 40, 50 million people will want to see and hear. Sometimes you do one that you know 150 will want to see on one night. As long as you're telling the right story for the right audience and they're getting something out of it it's essentially the same feeling to me.
I don't like to see a president who is just out campaigning all year long or for the last four years. I'd like to see somebody who's going in the office. In fact, I'd like to not see them because that way you'd be sure that they'd be working.
I like poor materials. I couldn't see myself making a bronze sculpture - it's not me. I like neon, because it's moving constantly and like drawing. The chemicals going through the neon turns me on really - it's sexy. I like fabrics, but one of the main things with objects is that I really have to love them before I can use them. I have to have the object around me a long time. The little chairs I used in my last White Cube show are ones that my dad bought for me. A sort of a psychometry with objects and things. It's like the pieces I've made are my things.
You can't go wrong with reading the fans and letting them tell you who they like. I think that's really paid off for me in the long run - being down to earth and just really cool with each and every fan that I meet - and they've really supported me through thick and thin.
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