A Quote by Olusegun Obasanjo
Femi Fani Kayode is my boy. Provide him food, he will eat and then sing for you. He’s a smart boy
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My angel-boy is close now, as in five-feet-away close. There's no way I'm going to burst into song in front of him. But then the contrary part of me says, you're going to let a boy keep you from singing out loud? Sing, sister! Sing! So I do, and my angel-boy turns his head.
Who will cry for the little boy, lost and all alone?
Who will cry for the little boy, abandoned without his own?
Who will cry for the little boy? He cried himself to sleep.
Who will cry for the little boy? He never had for keeps.
Who will cry for the little boy? He walked the burning sand.
Who will cry for the little boy? The boy inside the man.
Who will cry for the little boy? Who knows well hurt and pain.
Who will cry for the little boy? He died and died again.
Who will cry for the little boy? A good boy he tried to be.
Who will cry for the little boy, who cries inside of me?
I wasn't always smart, I was actually very stupid in school [T]here was a boy who was very attractive who was even stupider than I was. And in order to ingratiate myself with this boy who was very beautiful, I began to do his homework for him – and that's how I became smart, I had to do all this work to just keep ahead of him a little bit, in order to help him. In a sense, all the rest of my life I've been trying to do intellectual things that would attract beautiful boys.
The Scoutmaster guides the boy in the spirit of an older brother... He has simply to be a boy-man, that is: (1) He must have the boy spirit in him: and must be able to place himself in the right plane with his boys as a first step. (2) He must realise the needs, outlooks and desires of the different ages of boy life. (3) He must deal with the individual boy rather than with the mass. (4) He then needs to promote a corporate spirit among his individuals to gain the best results.
Suppose several boys are moving along a particular road and one boy falls into a drain, his dress and his body, become dirty. Other people, passers-by, will laugh at him, but when the boy's father sees his boy in that condition, what is he to do? Will he laugh at his own son? No! What will he do?
The boy (then a 12 year old boy named Anatoly Karpov)doesn't have a clue about Chess, and there's no future at all for him in this profession
Give me the boy who rouses when he is praised, who profits when he is encouraged and who cries when he is defeated. Such a boy will be fired by ambition; he will be stung by reproach, and animated by preference; never shall I apprehend any bad consequences from idleness in such a boy.
Lochie. The boy I once loved. The boy I still love. The boy I will continue to love, even when my part in this world is over too.
I didn't know what to do. How do you tell an eight-year-old boy his mother's going to die? I tried. In my own stumbling way I tried to prepare Jim for it. Nowadays, he lives in a world we don't understand too well, the actor's world. We don't see too much of him. But he's a good boy, my Jim. A good boy, and I'm very proud of him. Not easy to understand, no sir. He's not easy to understand. But he's all man, and he'll make his mark. Mind you, my boy will make his mark.
I've learned not to let it be the end of the world if a boy doesn't like you. I used to put so much effort into boys. I started playing guitar because I wanted to impress this boy. Then, I ended up in love with guitar and I didn't care about the boy anymore.
I was crying a little for the boy I had wanted him to be and the boy he hadn’t turned out to be.
Why don’t people’s hearts tell them to continue following their dreams?” the boy asked the alchemist. “Because that’s what makes a heart suffer most, and hearts don’t like to suffer." From then on, the boy understood his heart. He asked it, please, never to stop speaking to him. He asked that, when he wandered far from his dreams, his heart press him and sound the alarm. The boy swore that, every time he heard the alarm, he would heed its message.
There was a tale he had read once, long ago, as a small boy: the story of a traveler who had slipped down a cliff, with man-eating tigers above him and a lethal fall below him, who managed to stop his fall halfway down the side of the cliff, holding on for dear life. There was a clump of strawberries beside him, and certain death above him and below. What should he do? went the question. And the reply was, Eat the strawberries. The story had never made sense to him as a boy. It did now.
There's something in my voice tonally that's like a boy, so I started being able to do boy voices and to be known as having a naturalistic boy tone without pushing it.
You either have to sing about being scorned by a lover or sing about thinking a boy is cute and wanting him to notice you. That's about as edgy as you can get.
Don't be misled into believing that somehow the world owes you a living. The boy who believes that his parents, or the government, or any one else owes him his livelihood and that he can collect it without labor will wake up one day and find himself working for another boy who did not have that belief and, therefore, earned the right to have others work for him.
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