A Quote by Olympia Dukakis
I think it's because most of us talk one way and live another. There are a few people who truly, truly walk the talk.
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The only way the devil really exists in my opinion... is in interactions with people who don't walk the walk and talk the talk; people who act one way, or talk one way and then do another. Those are the deals with the devil. I don't see the devil as somebody who is a horned, goateed guy with a fork in his hand that's there to continuously stab me and send my soul to hell. I don't see it that way at all.
To know me is to love me. This cliche is popular for a reason, because most of us, I imagine, believe deep in our hearts that if anyone truly got to know us, they'd truly get to love us - or at least know why we're the way we are. The problem in life, maybe the central problem, is that so few people ever seem to have sufficient curiosity to do the job on us that we know we deserve.
When I open my mouth and talk, sometimes people say they are amazed of my intellect. I don't know if that's because I truly speak in a way that people can understand or feel a certain way, or because they don't expect it. I don't know. That's something I am curious about.
People talk about me as masculine. Because of the way I walk and talk and crank out pull-ups and smell like bacon.
To live in the moment is truly an art and is truly a talent, because when you live in the moment then you are truly the master of your whole life and you'll have the best times.
I just have to live my truth and know that it's okay to rock on my own vibration, because I'm me. I try to stand by that code, especially as a young Black woman in this industry. I try to walk the walk and talk the talk.
I believe that the only way to truly be fulfilled, the only way to truly be the person that God created us to be, is to live in our passion, is to do what we're passionate about. It changes everything about us.
I know of Conor McGregor. This sport has evolved even from when I first entered the octagon. I think people are finding out that you have to talk the talk, and you have to - more importantly, you have to walk the walk.
And be silent for the most part, or else make only the most necessary remarks, and express these in few words. But rarely, and when occasion requires you to talk, talk, indeed, but about no ordinary topics. Do not talk about gladiators, or horseraces, or athletes, or things to eat or drink - topics that arise on all occasions; but above all, do not talk about people, either blaming, or praising, or comparing them.
I truly believe greatness is in all of us. Don’t let anyone talk us out of our truth.
Another writer might question whether you're feeling competitive. But if I talk to Jonah, I know that he truly values my success more than his own. And I truly value his success more than my own. There's a generosity there.
If the so called 'democratic' individuals out there really believe in their talk about diversity, they should let those with truly different opinions be allowed to talk freely in public, too.
I find that dialogue is bad in most scripts. I just think there are very few writers that can capture the natural way people talk.
You can talk about things indirectly, but if you want to talk how people really talk, you have to talk R-rated. I mean I've got three incredibly intelligent daughters, but when you get mad, you get mad and you talk like people talk. When a normal 17-year-old girl storms out of the house or 15-year-old boy is mad at his mom or dad, they're not talking the way people talk on TV. Unless it's cable.
We talk about the vulnerability involved in sharing our work publicly. I don't think we talk enough about the real vulnerability involved in making art; if we truly engage the process we are changed by it.
I certainly think we're losing a lot of our connections with other people. I fear in my most pessimistic moments that the computer is simply another step down the road which we have already taken quite a few steps on. We're talking to each other on computers because we don't talk across the fence.
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