A Quote by Om Puri

I prefer working in good cinema, wherever it is. I like subjects that have a universal appeal. — © Om Puri
I prefer working in good cinema, wherever it is. I like subjects that have a universal appeal.
I don't think I've done anything important or magnificent. I'm a worker, and the thing I prefer in my life is cinema. When I'm working in cinema, I'm happy. And that's all, you know?
It's not my plan or whatever in my life to be a sex symbol. It never is. You are who you are, but you can't help what you look like. And when you do a film, like for me, it's just not about that. I would prefer to downplay it. I prefer to downplay the sex appeal.
About Grade 9 and Grade 10, I had a fantastic drama teacher, and it was one of the first subjects I actually felt that I was good at. I wasn't a mathematician. Didn't like science, any of those subjects. English and Drama were the two subjects that I loved and felt that I was good at.
I think that I prefer to shoot characters even if they are not good people. I don't think that cinema is a place where you can do sentences like in a court.
When I started working in Mumbai, I was interested in working in the indie and niche spaces, as they do make really good cinema, driven by good stories. But then, I decided to explore everything possible.
I don't know if foreigners will take to my novels or not. It may be that my books appeal only to a particular gender or age group rather than convey a more universal appeal.
Well, as a visual artist working with the phenomenon of cinema, the grammar of cinema, [making a feature] was bound to happen. Everything I do is like sculpting with image and sound.
You have to be careful of the pictures you make. You should ask, Will it have universal appeal, will it have an appeal at home?
Writers are interested in a diverse range of subjects, but prefer to move from field to field to satisfy intellectual curiosity, rather than devote an entire working life to one particular discipline.
Cinema is not Bible writing. It doesn't teach you morals, good values to live. Cinema is not meant for that. If you're looking at cinema that it'll tell you good values then you're mistaken.
Good cinema is good cinema. It makes you feel like you need to work. Just yesterday I saw a good film, but even if I'd seen a bad one, I'd feel, "Oh my god, what a bad job, I can do better."
Politics is different than movies. Politics are controlled by leaders. Leaders of every country have different interests. And they try to explain to their people why they should take one side or the other side. But in the movie its doing the opposite. It allows you to have a Universal Experience. You don't watch it as politics but as a movie. You don't have different reactions all over. It's so universal a language. It's not a political language serving a political agenda. The language of cinema is a world language. With the Hollywood movie, it brings about the same reaction wherever it goes.
We are in the society of the teacher-judge, the doctor-judge, the educator-judge, the 'social-worker'-judge; it is on them that the universal reign of the normative is based; and each individual, wherever he may find himself, subjects to it his body, his gestures, his behavior, his aptitudes, his achievements.
When I did 'Ugly Betty' it was very similar to working on 'Mad Men' - great group of people in their own little world. But I don't really see a lot of difference. Of course, on the cable shows, you can tackle subjects and be more specific, because networks have to appeal to the masses, but that's constantly changing and evolving.
Sex appeal is a good thing for commercial cinema. Though I can't sit at home and consider myself a sex symbol, it is for people to do so. I want to be known as an interesting actor.
I like roles that are on the extreme ends of the spectrum, and there's special appeal in exploring these slightly forgotten plays that people might think of as subjects for academic term papers instead of live theater.
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