A Quote by Omar Sharif
Peter O'Toole - I really loved that man. They sent me into the desert, and I lived there with him for 100 days. And there were no women! Can you believe it?
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I changed my major to English and I went off to Fort Collins. And within the first couple of weeks, I noticed that they were having auditions for a production in their theater department. They were going to stage Jean Anouilh's Becket, which was a film I loved, with Peter O'Toole and Richard Burton. So I went down and auditioned, and I got the role. I got the Peter O'Toole part. So here I was, a 19-year-old playing King Henry.
I hated Peter O'Toole. I wanted to kill that guy! When they said he was dead, I was happy. People said, 'Poor Peter O'Toole.' I was happy!
The animals you say were 'sent' for man's free use and nutriment. Pray, then, inform me, and be candid, why came they aeons before man did, to spend long centuries on earth. Awaiting their devourer's birth? Those ill-timed chattels, sent from heaven, were, sure, the maddest gift e'er given - 'sent' for man's use (can man believe it?) when there was no man to receive it!
And I had known Peter O'Toole before in London. And I'd liked him very much. And the thought of being in a picture with him was very challenging to me. And he was playing the starring role.
I had sent out 100 audition tapes within 365 days, and then I got the 'Dope' audition. When I sent that out, two days later my manager called me and said they wanted to fly me out to L.A. to audition.
The thing that was forfeited in the garden was regained. God gave him [Adam] dominion over the works of His hand. God made him His understudy, His king to rule over everything that had life. Man was master, man lived in the realm of god. He lived on terms of equality with God. God was a faith God. All God had to do was to believe that the sun was, and the sun was. All God had to do was to believe that the planets would be, and they were. Man belonged to God's class of being - a faith man, And he lived in the creative realm of God
I've always written. There's a journal which I kept from about 9 years old. The man who gave it to me lived across the street from the store and kept it when my grandmother's papers were destroyed. I'd written some essays. I loved poetry, still do. But I really, really loved it then.
My dad was a really good surfer, and by the time I was 10, he was dragging me out on some good days at Bells. I'd reckon they were solid, 6-foot days, and he'd tell me to wait on the shoulder. I'd see him coming through the barrel, and he'd just scream at me to go. I'd drop in, and he'd give me a hoot from behind - I've always loved it.
I wish there were two of me and 48-hour days so I could get everything done. But for me, I have to not try and think that everything has to be 100% perfect all the time and leave room for error. As long as my kids feel loved and a priority, everything really is secondary.
I just loved him and he loved me... He was a most humble man, the most decent man I've ever met in my life and he always looked for the best in people to find positives and he said something to me that always remained with me. He said if you believe in the fatherhood of God you must necessarily believe in the brotherhood of man, it follows necessarily and even though I left the church and was not religious, that truth remained with me.
Christ did not enchant men; He demanded that they believe in Him: except on one occasion, the Transfiguration. For a brief while, Peter, James, and John were permitted to see Him in His glory. For that brief while they had no need of faith. The vision vanished, and the memory of it did not prevent them from all forsaking Him when He was arrested, or Peter from denying that he had ever known Him.
With Peter O'Toole, you just had nothing but fun.
I think if ever I met Peter O'Toole, I'd faint.
Obviously, there's a big homage to Outland in Moon. I obviously had Ridley Scott's response, which was great. But Peter Hyams really loved Moon and was really enthusiastic about it. He was also enthusiastic about the fact we'd remembered Outland and had remembered it fondly. I think, for him, it was like some kind of edification that there were people out there who loved his film. So, that was a really lovely feeling.
I reached out to [Brett Favre] early on; sent him some of my books and a letter. Then I had two or three arranged times with him, and was blown off. Then I sent him another letter, and he sent me a text, explaining that he didn't wish to talk. I'm not mad - it's his right, obviously. Plus, his family members were amazingly open and cool.
But there's a thin line between songwriting and arranging. ... Recording at home enables one to eliminate the demo stage, and the presentation stage in the studio, too. ... And I think it's safe to say that the single very impressive figure to me was Merle Haggard. ... Dylan can do no wrong. ... Glenn Gould was my hero. Glenn Gould was my idol. I loved him. ... I loved Hendrix. I mean, really, really loved him. As if he were one of the great classical composers. And he was. That's how I saw him.
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