A Quote by Omari Hardwick
I don't think you really have chemistry in the way that you want between two actors unless frustration is there as well.
Related Quotes
You can't create chemistry. In fact, the chemistry between two actors is for people to see, sense, and judge. The only thing we can do as actors is to come on board individually because we feel the same kind of passion for a script and for a director to cast us because he feels that, as actors, we'll do justice to that part.
t is for me because I needed to do this. I really think actors shouldn't act unless they really need it in their lives. I think it has to be something that is so much a part of your chemistry, such a passion, that you can't live without it. You should not do it just because you are seeking fame or want to get rich.
One thing I think is really important is chemistry, and if actors have chemistry, audiences will pick up on that. Audiences will root for characters that don't even exist as a couple because the actors' chemistry is so strong.
Well, I think it’s extraordinarily fun to write, and I look forward to it every day, but that doesn’t mean I think it’s easy. There’s a difference between the two. It’s fun in the way all worthwhile things are fun – there’s difficulty attached to it. I think that a writer has to accept a certain amount of frustration. It’s inherent in the task, and you have to simply persevere. It’s part of the definition of the work.
Chemistry's a weird thing. You can see actors who are friends in real life but have no screen chemistry. Then there are actors who don't get on but have great chemistry.
Definitely, the most important part of a love story is the chemistry between the two actors because a love story is about a guy and a girl meeting and falling in love. You don't see love coming across if the chemistry is not there.
If two actors can communicate well during a scene, it works and makes for good chemistry.
There's not a lot of talking between actors - either between actors or between actors and directors. People think that they sit in rooms and talk about psychology and motivations. I don't think that happens much.
I think there's a natural chemistry between us as friends; and there's really no separation between the rapport that we feel when we're in conversation and when we're playing music, it's one in the same.
I think that people find that's a fresh look at a relationship between two best friends, between two soul mates, that people haven't really seen in this particular way. So that's definitely something that people are noticing.
As a director, I have to feel realism from actors, and they can't be plastic. The words for me are secondary, but the chemistry between the actors is most important. However, you have to go by the script because it's related to production, otherwise you will not finish your project.
It's our job as actors to make it look like it's not manufactured. If you have two actors who understand their characters - and therefore what they are trying to portray - then all they need to do is be the characters and there's a chemistry there.
Every film requires a different process. You learn about these particular actors and the particular chemistry between these actors. Recognizing when you don't need to shoot a scene because it's going to be cut anyway.
What interest, zest, or excitement can there be in achieving the right way, unless we are enabled to feel that the wrong way is also a possible and a natural way, nay, more, a menacing and an imminent way? And what sense can there be in condemning ourselves for taking the wrong way, unless we need have done nothing of the sort, unless the right way was open to us as well? I cannot understand the willingness to act, no matter how we feel, without the belief that acts are really good and bad.
I think many young actors want to be daring. They want to surprise their fellow actors as well as their audiences.
I know I'm not going to write as well as I used to. I no longer have the stamina to endure the frustration. Writing is frustration - it's daily frustration, not to mention humiliation.
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