A Quote by Omari Hardwick
Like anybody who grew up in the Eighties, I cringe at the thought of these movies being remade, because of the corniness and cheesiness of the originals.
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Movies always are open to being remade because times change so much, and the tempo of movies changes. I think of it like a James Bond. They can have different actors play the same role... I've had people come up to me and say, 'We want to remake 'The Jerk' with so and so.' And I say, 'Fine.' It just doesn't bother me. It's an honor actually.
I feel like I grew up being babysat by a television, and all I ever wanted to do was be in movies, direct movies, make movies, but it took me a really long time to be honest with myself about it because my background is that my family was very poor.
I grew up on movies like Airplane! and The Naked Gun. You probably saw it more recently, but as a kid I grew up on them so I loved those kinds of movies.
We were teens in the Eighties, and that's the kind of music that we all grew up on. When you're in those really formative years, from, like, 13 to 19, what you listen to is so influential, and I think that's just part of our being now.
I like zombie movies, and I like genre movies a lot. To watch. Less so to make, I think. But I grew up on that stuff. I would just grow up watching a lot of horror movies, a lot of slasher movies and then zombie movies.
I like to be someone else. I like to be someone other than myself. I grew up watching movies and being a fan of what I'd seen portrayed in the movies, and I always wanted to do that one day.
Mormonism has this great cheesy aesthetic - when you watch their videos, it's almost as if they're about to flash a smile at the camera and burst into song. Mormon cheesiness is so close to musical cheesiness.
I grew up loving action movies and films that were set in supernatural, unimaginable places. So I take being a woman in the film industry who is able to do action movies very seriously because I'm making the kind of movies that I wanted to watch as I was a kid and that inspired me and are the reason as to why I am here.
I grew up in the eighties; that's probably why I like some of the earlier electronic from Kraftwerk to all throughout new wave and things like that.
Where I grew up, acting wasn't really accessible. I was just playing sports. But, I did watch a lot of TV. I watched a lot of Clint Eastwood movies on TV and had this fantasy of being like him when I grew up.
I grew up watching movies and being amazed at the animatronics you'd see in stuff like 'The Dark Crystal,' and all those kinds of movies. So, I'm always enthralled with how they can make it all work, behind the scenes, with the visual effects.
I grew up looking at... going to the movies a lot, as much as they'd let you. I grew up in Manchester in the north of England in the '40s and '50s. I saw a lot of movies. They were all Hollywood and British movies. I didn't see a film that wasn't in English until I was 17 when I went to London to be a student.
I grew up watching horror movies with my dad. For as long as I can remember. I grew up loving being terrified. 'A Nightmare on Elm Street' at sleepovers. Hiding behind my fingers.
I grew up with a lot of monster movies, robot movies, since I was a kid. I love anime movies, like 'Evangelion' and 'Ghost in the Shell.'
I love movies; I grew up loving movies. I've always loved movies. I never thought about making movies until I took art classes and then I started studying different artists. As you study paintings, you see light and shadow, of course - Rembrandt, Eugène Delacroix. You start to understand the relationship between people and art, and images. For me, between movies that I watched and art, it was like, I'd love to make moving art. Moving pictures.
In the the late seventies and early eighties, I played background roles in thirty movies... Woody Allen movies, Scorsese films, you name it. Whatever was being shot in New York, I was doing stand-in and background work because I wanted to be close to the camera; I wanted to see what was going on.
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