A Quote by Omari Hardwick
It's rare for artists to really stare deeply at themselves in the mirror, literally, because there's constantly a mirror on you.
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It's rare for artists to really stare deeply at themselves in the mirror, literally, because there's constantly a mirror on you. But figuratively speaking, I'm really into growth, so when I look in the mirror, I see somebody who's just trying to get better everyday.
I literally used to stare at my face in the mirror with hate and anger. I'd focus on those gigantic zits and just wail about what a monster I was, how I would never have a career because of my gross skin. I couldn't pass a mirror with out thinking about how hideous my skin was and how I wished I was someone else, someone with perfect skin.
The physical body is an agent of the spirit and its mirror. It is an engine and a reflection of the spirit. It is the spirit's ingenious memorandum to itself and the spirit sees itself in my body, just as I see my own face in a looking glass. My nerves reflect this. The earth is literally a mirror of thoughts. Objects themselves are embodied thoughts. Death is the dark backing that a mirror needs if we are to see anything.
Let Go of Your Worries Let go of your worries and be completely clear-hearted, like the face of a mirror that contains no images. If you want a clear mirror, behold yourself and see the shameless truth, which the mirror reflects. If metal can be polished to a mirror-like finish, what polishing might the mirror of the heart require? Between the mirror and the heart is this single difference: the heart conceals secrets, while the mirror does not.
A newspaper is a mirror reflecting the public, a mirror more or less defective, but still a mirror.
People are always calling me a mirror and if a mirror looks into a mirror, what is there to see?
If you imagine b, d, p, and q, those are letter forms that all the children always mess up. They are mirror forms of one another. That feature is emphasized in a font like Arial, where the shapes are literally mirror forms.
The more you work, the less you exist. I believe (at least, I used to believe, because I no longer think this is entirely true) that the artist is like someone carrying a mirror in which everyone can look and recognize themselves, so that the person who carries the mirror ends up being nothing.
The best change you can make is to hold up a mirror so that people can look into it and change themselves. That's the only way a person can be changed." By looking into yourself," Zia said. "Even if you have to look into a mirror that's outside yourself to do it." "And you know," Maida added. "That mirror can be a story you hear, or just someone else's eyes. Anything that reflects back so you can see yourself in it.
Literature is claimed to be a mirror of the world,” I said, “but the Outlanders are fooling themselves. The BookWorld is as orderly as people in the RealWorld *hope* their own world to be—it isn’t a mirror, it’s an aspiration.
You are not the one who experiences liberation; you are the clearing, the opening, the emptiness, in which any experience comes and goes, like reflections on the mirror. And you are the mirror, the mirror mind, and not any experienced reflection.
The thing about great fictional characters from literature, and the reason that they're constantly turned into characters in movies, is that they completely speak to what makes people human. They're full of flaws as much as they are full of heroics. I think the reason that people love them and hate them so much is because, in some way, they always see a mirror of themselves in them, and you can always understand them on some level. Sometimes it's a terrifyingly dark mirror that's held up.
Men do not mirror themselves in running water; they mirror themselves in still water.
Men do not mirror themselves in running water - they mirror themselves in still water. Only what is still can still the stillness of other things.
There is a time in our life when we need to strut our stuff and groove on grandiosity, when we need to be viewed as remarkable and rare, when we need to exhibit ourself in front of a mirror that reflects our self-admiration, when we need a parent to function as that mirror.
I was self-conscious of being so lanky, of being me. I'd keep my head down, make excuses not to go out. I'd look in the mirror and hate myself. I thought I was disgusting. I cried constantly from 11 to 16. If I could tell my younger self anything, it would be to learn to love your flaws. It's OK to look in the mirror and feel really confident about yourself.
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