Certain kinds of people will always have an issue with my music. But that's fine; it's OK. I don't want to be the McDonald's of music. I don't want to not turn anyone off. If you were everybody's cup of tea, you'd probably be boring.
You know how a lot of people say, 'I lose myself in music,' or 'I like to escape,' but I want my music to be more of an awakening. I want it to make people to be aware of life; I don't want my music to be a distraction. I want to light a path.
I think I want to become more rounded, I want to keep honing my skills and fine-tuning the qualities that I have. And scoring more goals - every striker wants to score more goals.
I want my music, whether it's sung by other people or sung by myself, to affect the way the Top 40 radio sounds. I want to heavily influence it with things that have come directly from my brain.
AI as a tool in music-making is fine, but it's always going to be the humanity in music that makes people want to listen to it.
When I was younger, I always wanted to impress, to be good for my country, to make them feel good, and sometimes that meant I didn't focus on myself enough. I learned I had to put myself first. And it's fine because I want for me the same thing that they want for me, which is to win.
When I was younger I always wanted to impress, to be good for my country, to make them feel good, and sometimes that meant I didn't focus on myself enough. I learned I had to put myself first. And it's fine because I want for me the same thing that they want for me, which is to win.
He's bent over the strings tuning his guitar with such passionate attention I almost feel I should look away but I can't. In fact I'm full on gawking wondering what it would be like to be cool and casual and fearless and passionate and so freaking alive just like he is- and for a split second I want to play with him. I want to disturb the birds. Later as he plays and plays as all the fog burns away I think he's right. That's exactly it- I am crazy sad and somewhere deep inside all I want is to fly.
It's such a cliche thing to say. I want to choreograph, I want to direct, I want to act, I want to write music, I want to play music, I want to sing. For me, it's never-ending. I want to do it all, really.
I could be worried about it if I had the wrong attitude. I don't think that I want my life and my daily occurrences to influence the direction. I don't want my daily life or my happiness to be a direct influence on music or my sadness.
The first instrument I had was made in the late '70s. Back then they had basically one tuning. I shifted slightly away from that tuning right away (to what is now called the Baritone Melody Tuning), because I wanted more string overlap between the two sides.The instrument I currently play has an active pickup system, Fret Rails, a fully adjustible bridge, adjustible truss, Flaps adjustible nut. Even with all of these advances, I'm always struck when I play the older instrument how good they were even then. Emmett's always been great at implementing his ideas.
I want to choreograph, I want to direct, I want to act, I want to write music, I want to play music, I want to sing. For me, it's never-ending. I want to do it all, really.
I have no reason to influence people. I just want to have it all for myself. I just want someone to pat me on the back. (laugh) It's crazy. It seems just completely ridiculous. I don't know why. I mean, three years ago, I wouldn't be able to influence my dog to walk.
I always focus on myself in what I want, where I want to go, who I want to reach, which message I want to put out, how I want to dress.
What we're doing is we're chipping away at what it is to be a woman and to be feminine. And what it is to be a man and be masculine. We're chipping away at that. I wish we could go back to 'Mad Men' days. I love those days. Men were men. And I love them.
I have crazy, different influences in my songs. I want rap music, I want Congolese rumba, I want salsa, I want dance music, I want hip-hop music, all mixed into one!