A Quote by Omarion

I've never done a lot of collaborations. Truthfully, artists most of the time are so busy, they never get a chance to get in the studio and be personal with a record.
I suppose in some ways that's why my collaborations worked out, because I would go in the studio with such enthusiasm and it would never be a chore for me. I was never itching for the process to be done so we could get out live. It's a different matter for me now. Now I've noticed that I actually have one eye or one ear on how I'm going to do it on stage. And maybe that's because I'm the frontman in the group; I do believe that any good frontman should be impatient in the studio to get out.
You could make the most beautiful film, and that weekend it's raining too hard on the East Coast, and no one goes out. Artists should have a chance to do it again. That's the challenge: Women artists don't get a second chance. People-of-color artists don't get a second chance. You're put in director's jail, and that's a wrap.
Most artists never get a chance to be Picasso, but that doesn't mean you would stop painting.
Now, you can just get a laptop, get some software, put a microphone on it and make a record. You have to know how to do it. It does help if you've had 35 or 40 years of experience in the studio. But, it still levels the playing field so artists can record their own stuff.
I hate studios. A studio is a black hole. I never use a studio to work. It's very artificial to go to a studio to get new ideas. You have to get new ideas from life, not from the studio. Then you go to the studio to realize the idea.
- I'm so busy doing what I must do that I don't have time for what I ought to do... and I never get a chance to do what I want to do! - Son, that's universal. The way to keep that recipe from killing you is occasionally to do what you want to do anyhow.
Any time I get a chance to work with artists that make me inspired and learn new stuff about music - every chance I get, I'll take.
Each day I record I'm always doing something different that I've never done. So I feel like I'm a new artist every time I go to the studio.
I'm drawn to a lot of first-time directors. One of the great common denominators in these small independent films is that there's a person, or two people, who have an absolutely monomaniacal passion to get these films made. That's what makes them happen. Sometimes, it takes years and years to finally get it done, but by never backing down, by never giving up, they get these films to the screen by hook or by crook.
It's always a bit risky, when you put yourself out there with somebody in a collaboration, but I think we learn things every single time, and we come out of it with a new perspective on writing because everyone's process is different. Unfortunately we don't always get to spend time in the studio with those artists - oftentimes it's just sending files online. But both can be liberating and productive in their own way. Some of the best collaborations happen when you're all in a room together.
I never, in anything I've ever done, tried to get you to like it. I was never going to succeed at that. That's not the way most entertainment is made. Most entertainment is trying to get you. It's tested, like toothpaste.
When the desire is born, right away you start counting yourselves a failure, because you've got this desire that hasn't been satisfied. Know that you never get it done! And since you never get it done, it's time to stop being unhappy about what's undone, because most of it is undone! You are an eternal being. Most of it is undone. Instead of taking score about what's been achieved - we want you to start feeling anticipation about what is still to arrive.
I always tell the girls never take it seriously, if you never take it seriously you never get hurt, if you never get hurt you always have fun, and if you ever get lonely just go to the record store and visit your friends.
For all of its faults, it gives most hardworking people a chance to improve themselves economically, even as the deck is stacked in favor of the privileged few. Here are the choices most of us face in such a system: Get bitter or get busy.
Combine that with the fact that we only had one week to get everything taken care of and to get to know one another, whereas most shows get two weeks. It looked like we would never have a chance.
I spend a lot of time working as a painter and in my studio I go from upstairs where I paint to downstairs where I play and record, so I get this thing crossing over.
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