A Quote by Omarion
As a dancer, you learn the importance of transitional moments. If you figure out what you can do next, that's how you don't get stuck.
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When you innovate no one else can figure out how to do what you're doing because you're too far ahead of them. And the day they do figure out, you're on to the next object, the next widget, the next concept in innovation. And so America has benefited economically from the space race even though it was driven by military.
You can always change your branding or hire lawyers, but it's critical that you figure out if you have product market fit, and if you don't, figure out how to course-correct without getting stuck.
Live today. Not yesterday. Not tomorrow. Just today. Inhabit your moments. Don’t rent them out to tomorrow. Do you know what you’re doing when you spend a moment wondering how things are going to turn out with Perry? You’re cheating yourself out of today. Today is calling to you, trying to get your attention, but you’re stuck on tomorrow, and today trickles away like water down a drain. You wake up the next morning and that today you wasted is gone forever. It’s now yesterday. Some of those moments may have had wonderful things in store for you , but now you’ll never know.
You get way better from playing to the passing public. You learn how to entertain. But it took me a good three years out on the promenade to figure that out. You also learn what makes them stop dead in their tracks and what doesn't.
Evaluate. Long experience had taught me to evaluate and assess. When the unexpected gets dumped on you, don’t waste time. Don’t figure out how or why it happened. Don’t recriminate. Don’t figure out whose fault it is. Don’t work out how to avoid the same mistake next time. All of that you do later. If you survive.
Figure out what you want, how you want to feel, whatever your motivation is, you have to figure it out. That's step one: where do you want to be? The next thing is just trying to get there and cutting yourself some slack along the way. You're going to have days when you veer off your path, then just get right back on. We all have cheat days, holidays, or celebrations, whatever or period when we can't work out as much as we like, and just do the best you can and when you can get back on track, get back on track.
You don't really learn how to write songs; you learn to develop as a writer, and you get to meet lots of musicians and figure out what kind of sound you want. You have the time to just develop and try different styles, and that's what I did.
I wanted to get that scholarship to - a division one scholarship and play ball and go to school for free. And that, to me, was - I was always about getting to that next step. If I could get to that next place, then I could figure out essentially what to do with being in that space and how to manage my time and handle those - handle all the benefits of being in that space in a way that would get me to the next place.
You can be extremely bright and still have dyslexia. You just have to understand how you learn and how you process information. When you know that, you can overcome a lot of the obstacles that come with dyslexia. When you figure out how you learn, you can accomplish whatever you want.
There are three steps you have to complete to become a professional dancer: learn to dance, learn to perform, and learn how to cope with injuries.
I kind of had to figure stuff out on my own and get myself snowboarding competitively again. I went through all types of different legs to try to learn which were going to work for me. Luckily, I was able to figure it out.
When you make content, you try things, and they don't always work. You learn from it and figure out what's next.
You can put my dad in any situation and he's going to figure it out. He's going to figure the people out and how to get along, how to make everyone comfortable.
You can win your Oscar, and you still wake up trying to figure out how to get your next job.
As a director, I really wanted to learn and I needed to get away from my own stuff to figure out how to just do things and work with good people.
I don't think you can be taught how to make art. You can be coached, but on a fundamental level you have to figure it out for yourself. You have to learn how your own mind works, figure out your own relationship to the art; you essentially have to invent it completely for yourself.
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