A Quote by Omarion

When you think about the industry, you think about people competing. You don't think about people getting together like, 'Let's do a record. Why not?' Especially R&B. — © Omarion
When you think about the industry, you think about people competing. You don't think about people getting together like, 'Let's do a record. Why not?' Especially R&B.
I think when people think of music from coming from Oklahoma, they think of Toby Keith or even Garth Brooks or even Woody Guthrie. People think, "Why do we have to just be about the Bible and about football? Why can't we be about something like the Flaming Lips?" And I salute them! I say, "Well, that's great if you want that."
Think about all the great leaders. Think about Obama. Think about Clinton. Think about Nelson Mandela. Think about all the people that we know who are very successful in business, in politics and religion. What are they? They tell purposeful stories. They move people to action by aiming at the heart.
People think, for some reason, that I don't care about creativity and art, or helping people. So I would say that the biggest misconception is, when you think about me, when you think about my name, I don't want you to think about design or clothes or music. I want you to think about a person that's just trying to help people.
Spaces of liberation are, in a certain way, some kind of social spaces where people can not only get together and think about something else, but also act together. If you are thinking about an elemental solidarity, you are thinking about people acting together and taking decisions together, and thereby beginning to think about what sort of society they want to create. So, there is a need for liberated spaces; that is really difficult.
Even if I see 300 'X-Files' fans together, I can't fathom - I cannot imagine - the audience itself. All I think about is the show and all I think about is why I like it and why I like to write it and why I like the characters and what I have to say through them.
People say to the mentally ill, ‘You know so many people think the world of you.’ But when they don’t like themselves they don’t notice anything. They don’t care about what people think of them. When you hate yourself, whatever people say it doesn’t make sense. ‘Why do they like me? Why do they care about me?’ Because you don’t care about yourself at all.
I think that sometimes people talk about disruption, and I've seen tons of startups come in as disruptors and then disappear. And I think what we need to do as an industry is think about a world that is dominated by mobile and software and not extrapolate from what was. And I think a lot of big companies tend to want to do that.
I think most people, when they think about the Black Panther Party, they think in very abstract, caricatured terms. They think about black fists in the air, but they don't think about the actual people, and the families, and the relationships.
I think people now live in an age in which the only thing - they don't think about getting ahead. They think about surviving.
What's missing is the music. I'd like to rant on and on about the music, the mechanics of it. It's what I think about 90 per cent of the day. I don't think about getting high all the time. I guess I do think about sex a lot, though...
There was a research I think team, which conducted a survey about what Indians think of Americans, and 71 percent I believe said, well, I think all the nice things about our working together with the United States. But there are people I think that are old mind-sets, who still I think remain mired in the Cold War ideology.
People say, 'Why don't you do interviews? What do you think about this? What do you think about that?' My job in the band is to play drums, to get up on stage and hold the band together. That's what I do. At the end of the day that's all that's important. Everything else is irrelevant.
When you're 21 you think, "Old people sound like this. Old people think like this." I don't think my ideas about aging and about eternal life changed that much, but it became more poignant to me as I did get older and I could better imagine, as you sort of inch closer to death every day, why legacy, more than aging, becomes important to people.
I think 'Historian' is ultimately a positive record, but I was a little bit worried about taking people into a dark world. I tried to do it with as much care as possible, but it's not easy to ask people to think about death or loss or confusion.
My favorite thing about acting is you have to learn how to work with people that you probably would never try to. Some people just aren't supposed to be in a room together, and you have to be in a room with a group of people who might not all get along and you have to figure out how to come together for one thing. That collaboration is special, and people don't get to exercise that. I think that's why people become stubborn, and I think that's why people become uninspired to change. In this job you have to.
When you're 50 you start thinking about things you haven't thought about before. I used to think getting old was about vanity - but actually it's about losing people you love. Getting wrinkles is trivial.
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