A Quote by Omarion
Girls will probably - if she's a lady - never do the No. 2 around you. If they're not a lady, she might poo. You might ask her, 'What's that smell?' And she'll be like 'I don't know!' But it really might be her. Because it happens.
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Oh, I love ladies in hats! One rule of restaurants: never take a hat from a lady; wait for her to offer you the hat because she might not want to take it off - she might not have had time to do her hair properly.
When you smell our candles burning, what does it make you think of, my child?" Winterfell, she might have said. I smell snow and smoke and pine needles. I smell the stables. I smell Hodor laughing, and Jon and Robb battling in the yard, and Sansa singing about some stupid lady fair. I smell the crypts where the stone kings sit. I smell hot bread baking. I smell the godswood. I smell my wolf. I smell her fur, almost as if she were still beside me. "I don't smell anything," she said.
The pain was as unexpected as a thunderclap in a clear sky. Eddis's chest tightened, as something closed around her heart. A deep breath might have calmed her, but she couldn't draw one. She wondered if she was ill, and she even thought briefly that she might have been poisoned. She felt Attolia reach out and take her hand. To the court it was unexceptional, hardly noticed, but to Eddis it was an anchor, and she held on to it as if to a lifeline. Sounis was looking at her with concern. Her responding smile was artificial.
I thought Brittany Packnett, who was one of the Ferguson activists, really interesting, smart young lady, really impressive - you might want to talk with her. So she was one of the organizers of the Ferguson movement, ended up joining our task force. She came in here and she just knew her stuff.
Well, Kajol's a lovely lady! She's a pleasure to work with and I really enjoy her company! She has the ability to make someone feel so important...she herself is really cheerful and she makes others around her feel cheerful too. I don't believe I've ever seen her cry...except in front of the camera of course! I believe she has the potential to go so far.She is such an insipiration to everyone around her.....including me!
Staring at him the way she might stare at a beloved place she was not sure she would ever see again, trying to commit the details to memory, to paint them on the backs of her eyelids that she might see it when she shut her eyes to sleep.
She only maintains that it is possible, under some circumstances, for a lady to murder her husband; but that a woman who wears ankle-strap shoes and smokes on the street corner, though she may be a joy to all who know her and have devoted her life to charity, could never qualify as a lady.
You cannot hammer a girl into anything. She grows as a flower does, she will wither without sun; she will decay in her sheath as a narcissus will if you do not give her air enough; she might fall and defile her head in dust if you leave her without help at some moments in her life; but you cannot fetter her; she must take her own fair form and way if she take any.
Once upon a time there was a girl who wanted to put her fist through a mirror. She would tell everyone it was so that she could see what was on the other side, but really, it was so that she wouldn't have to look at herself. That, and because she thought she might be able to steal a piece of glass when no one was looking, and use it to carve her heart out of her chest.
She wondered if literature might lose some of its interest when she reached an age or state of mind where her life was set on such a sure course that the things she read might stop seeming so powerfully like alternate directions for her being.
Suddenly she felt strong and happy. She was not afraid of the darkness or the fog and she knew with a singing in her heart that she would never fear them again. No matter what mists might curl around her in the future, she knew her refuge. She started briskly up the street toward home and the blocks seemed very long. Far, far too long. She caught up her skirts to her knees and began to run lightly. But this time she was not running from fear. She was running because Rhett's arms were at the end of the street.
I get goose-bumps when you talk about Diane Wilson. Who knows where she found that courage? When she was a child, she would crawl under the bed when a stranger came to the house. But in 1989, she found out that her county in south Texas was ranked worst in the country for toxic waste. She wondered if the effluent, dumped into the waters where she and her family had shrimped for generations, might be responsible for the dwindling fish populations. And she suspected that her son's autism might be related to the pollution.
The motion picture is like a picture of a lady in a half-piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.
When my daughter looks at me, she sees a small old lady. That is because she sees only with her outside eyes. She has no chuming, no inside knowing of things. If she had chuming she would see a tiger lady. And she would have careful fear.
In a way, her strangeness, her naiveté, her craving for the other half of her equation was the consequence of an idle imagination. Had she paints, or clay, or knew the discipline of the dance, or strings, had she anything to engage her tremendous curiosity and her gift for metaphor, she might have exchanged the restlessness and preoccupation with whim for an activity that provided her with all she yearned for. And like an artist with no art form, she became dangerous.
Lady Maccon cogitated. She would like to encourage this new spirit of social-mindedness. If Felicity needed anything in her life, it was a cause. Then she might stop nitpicking everyone else.
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