A Quote by Oneohtrix Point Never
When people talk about how parameters can generate really good work, there's no better example than working within a genre in film. That's like the ultimate parameter.
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When you talk to people about their practical life, for example when they're at work, like the rail industry, the RMT members know better than anyone else how to run their industry.
The brain has about ten thousand parameters for every second of experience. We do not really have much experience about how systems like that work or how to make them be so good at finding structure in data.
I really don't care that much about "Beauties." What I really like are Talkers. To me, good talkers are beautiful because good talk is what I love. The word itself shows why I like Talkers better than Beauties, why I tape more than I film. It's not "talkies." Talkers are doing something.
When I talk about 'working class,' I don't talk about 'white working class,'. I talk about 'working class,' and a third of working class people are people of color. If you are black, white, brown, gay, straight, you want a good job. There is no more unifying theme than that.
I like to think about the genre, the essay or the memoir, as much as I enjoy writing within its fluid parameters. And teaching allows me to think about it, to articulate it, and to explore it.
The great thing about television is that you get to tell, like with "The Walking Dead", 16 hours worth of character-driven storytelling in less time than it takes to make a feature film. So, it really is a medium at least for storytellers who are passionate about not only the genre but also the character-driven genre stories. It's probably a better medium.
I get really restless if I'm not working. I generate or try to generate my own stuff. I'm constantly on the prowl for working with the people I love and respect.
Yeah, it's more like playing what you think is appropriate for the moment. It's not about trying to force any particular style within the parameters - and the parameters we play in are pretty large!
When you're working with movie stars, part of the deal is that, if they have something to say, you'd better listen. You don't have to absolutely listen and not talk, but there is another creative force at work, and to be successful working with movie stars, you have to bring that force to work for you. You have to find something that's comfortable for them, and at the same time, that's in the parameters of what you're trying to do yourself.
I'm not really interested in rappers who talk about rap. I don't talk about it, and I don't like listening to other people talk about it. So I stick to the things that I know. You know, things like cars, ultimate fighting. I have a lot of songs about cars, because they're a big part of my lifestyle.
It's much harder to work for yourself, by yourself, than to create work for a gallery, because there are no limits and you can do anything you want. It's always easier when you have a parameter, when you have a limit. You can work within the limit and push it and walk the line, but when you're given absolutely no limits, it's harder. You must really think. It's more challenging.
Some people will talk about how Afghanistan has improved, but they're really just talking about the cities. In the countryside where the war has been fought, it's really not that much better than it was in 2001.
I know that, for me, working with people like Robert Rodriguez and Ridley Scott and the Coen brothers and Oliver Stone and Gus Van Sant was so much easier than working with a lot of the people I had worked with before, because with these guys, there's not a lot of ego involved. It's all about the work. It's all about how to make the story better. So at the end of the day, you feel a trust that you usually don't feel - or at least I haven't felt in the past with most people.
I do love science fiction, but it's not really a genre unto itself; it always seems to merge with another genre. With the few movies I've done, I've ended up playing with genre in some way or another, so any genre that's made to mix with others is like candy to me. It allows you to use big, mythic situations to talk about ordinary things.
It's great to meet people in a setting where it's really conducive to hanging out and having
fun. Most film festivals are really low-stress, and good times to hang out with buddies and talk about what you're working on and come up with new ideas.
On one level, of course, the notion of judging films or books or music against each other is completely ridiculous. Who's to say '12 Years A Slave' is a better film than 'The Wolf of Wall Street'? Or that one album in a certain genre is better than another in a completely different genre?
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