A Quote by Oneohtrix Point Never

Nothing's ever easy about composing for other people's projects, but I like it. I've been lucky to have worked with adventurous directors who trust me. — © Oneohtrix Point Never
Nothing's ever easy about composing for other people's projects, but I like it. I've been lucky to have worked with adventurous directors who trust me.
I feel like I've been very lucky with the directors. The characters I've been offered, especially lately, have given me the opportunity to play all of these different women. I always wanted that, and it's something that you cannot do by yourself. If you want to play a diversity of characters, somebody else has to have the imagination to give you a role completely out of the box. We depend on somebody else's trust, and these directors are giving me their trust, and I am grateful for that.
I'm lucky enough that directors sometimes seek me out for little projects that people don't even know about, that just surface later on.
Pedro's Almodovar different - very unique, very particular and difficult to compare to anyone else. But I've been lucky with many of the people that I've worked with. I think I've been very lucky with great opportunities - directors like Stephen Frears, Cameron Crowe and Fernando Trueba, as well as Bigas Luna, who gave me my first opportunity. There are a lot of people I would love to work with again. But, of course, I have a special relationship with Pedro and I don't think it's good to hide that.
I have been extremely lucky to have worked with directors and actors that have made a fabulous impact in Indian cinema and have received some of the nicest compliments ever.
Since age seven, I've been composing and have never stopped composing, yet, the creative process is as elusive to me as it has ever been.
Maybe the the luxury of not having acting be my only profession is that I can be more selective about what I choose to be in. I've been really lucky in terms of film projects with people, terrific actors and also writers and directors that I really respect.
I never look a gift horse in the mouth. And I've been really, really lucky. I'm aware of that. And my career has been given to me by the people I've worked with, no question. The actors, the directors, the cinematographers, the writers, all of whom gave me the opportunity to work in the way that I have and I'm really grateful.
I've been really lucky in terms of film projects with people, terrific actors and also writers and directors that I really respect.
I've been lucky, because people have done such great versions of my songs, and I've worked with the best singers ever, and I'm lucky that way.
I've had a real lucky time working in Hollywood. I've talked to other screenwriters, and they're all kind of beaten down and their spirits are crushed, because they work on these screenplays and these projects, and then directors either take them and change everything, rewrite them and make them worse, or they film them and they're nothing like how they imagined it to be.
I've been incredibly lucky with the directors I've worked with.
I feel really lucky in that all of the projects I worked on I've been comfortable saying, 'I don't want to wear this.' No one has forced me into being anything I don't want to be. On 'Neighbors,' being chubbier than the other two actresses, I was like, 'Am I gonna get the chubby girl wardrobe?' But I ended up liking my wardrobe the best.
Roles came to me. I was very, very lucky in that respect. Great directors, great writers, great producers - they saw something in me that they wanted for their picture or their play or whatever it was, whether it was Edward Albee or whether it was - or Peter Hall, directors. They would come to me, thank God. I was lucky. Lucky, lucky, lucky.
There are things that directors know about me that people shouldn't know. But everyone's really different. I've worked with women who I've never wanted to tell anything about myself to, and I've worked with guys who have been pouring wells of emotion. So emotional availability is not a gender-specific thing.
I wanted young women to know that I was very lucky that I worked for people who literally let me be me. If I had ever been anyone other than me, I would have come off as a fake, a phony, a fraud, and never would have gotten where I ultimately ended up. You can be yourself and be in politics, and they should know that. That was kind of why I wanted to do it - because I didn't see any freaks in politics like me.
There have been directors that I did not enjoy working with, but for the most part I realize that I have been unbelievably spoiled in my career because I have worked with some of the greatest, greatest directors ever.
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