A Quote by Onew

I didn't know children's songs could be this deadly. — © Onew
I didn't know children's songs could be this deadly.

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I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.
I've always covered some Dylan songs. I do one or two. And I do them because they're great songs. You know some people cover songs they wish they could have written, not me. I like to cover songs I know I could not have ever written.
Of all deadly sins, this is the most deadly, namely, that any one should think he is not guilty of a damnable and deadly sin before God.
I try to sing many different kinds of songs. If I sing a batch of humorous songs, I'll throw in a deadly serious song. Or if I'm singing too many serious songs, I'll throw in a ridiculous song, to mix it up.
Football is a game. And sometimes I think about it way too much over situations that could be, you know, deadly.
I'm not somebody that has an encyclopedic knowledge of ballads and could sit around a fire and sing songs for three hours. I basically only know the songs that I've taken on and reworked and recorded.
There will be slow songs, sad songs, happy songs, songs about boys, and songs about being who you are. I'm making sure I'm happy with all of the songs, because if I am not happy with them, I can't expect anyone else to be, you know?
Often for me, if I hear a song I know, it clicks for me and I hear it in a different way and I think, "I could sing that song. I've got something to say about that song. Wanting to connect with an audience and wanting them to rethink songs; it is actually important to do songs they're familiar with. Also, I love those songs. In a way, I think I've changed people's perceptions of what a cabaret show like this could be.
The exciting part about sitting down and writing songs, playing shows, or being a musician in general is that you never know where those songs and that music is going to take you. There's such a cool feeling about that the phone could ring tomorrow and someone could say "he guess what? your song..." That really is cool.
What I do know is that I can't hurt a ghost. I wish I could fall in love with Ann Stuart. I wish I could wed her and bed her and have children with her. I wish I could fill that huge house with little spirit children who would live forever and never die.
I know it sounds so lame, but the songs are like my children.
There was never an 'a-ha' moment when a spider bit me and I knew I could write songs. For that reason, I don't know if I'm always going to be able to. I want to write songs forever, but it's an elusive thing.
I'm so hard on myself that when I'm in the studio, I'll write 10 songs and only use one. So those nine songs that are left over, I always think, 'Where could these go? Who could they be for?'
the masses are everywhere they know how to do things: they have sane and deadly angers for sane and deadly things.
Journalism should be truthful and entertaining. You know, with news and important facts you can entertain people too. Have a little humor. Life isn't all that deadly all the time, but while you're having fun, tell the truth. If every word of a column is deadly serious, I can't read it. It makes me throw up.
My aim is always catchy songs, or songs with meaning and I want to write music people can relate to, about things anyone could go through, just real, honest music... songs that mean something, songs that are inspired by true life events.
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