A Quote by Opal Tometi

The black immigrant experience in the U.S. must be understood not in contrast to the African American experience but as an integral part of it. — © Opal Tometi
The black immigrant experience in the U.S. must be understood not in contrast to the African American experience but as an integral part of it.
To fully understand the black immigrant experience in the U.S., we must understand it not in contrast to the African-American experience, but central to it.
Race doesn't mean what it used to in America anymore. It just doesn't. Obama's black, but he's not black the way people used to define that. Is black your experience or the color of your skin? My experience is as a Mexican immigrant, more so than someone like George Lopez. He's from California. But he'll be treated as an immigrant. I am an outsider. My abuelita, my grandmother, didn't speak English. My whole family on my dad's side is in Mexico. I won't ever be called that or treated that way, but it was my experience.
When I think of my work, I'm aware that I'm American and African at all points and times. And without a doubt, my experience and understanding of America was shaped by having immigrant parents.
Sometimes you can't fight change, because you're a part of it, and I feel that in the context of these films that are happening now, there is a kind of change coming in terms of how history is represented on film, and the African, and the African-American and British African experience.
One thing that sticks in my mind is that jazz means freedom and openness. It's a music that, although it developed out of the African American experience, speaks more about the human experience than the experience of a particular people.
There is an imagined thing called black culture. But culture is a construction. It is learned behavior, not innate. The black American experience is the American experience.
One of the things that made the Black Muslim movement grow was its emphasis upon things African. This was the secret to the growth of the Black Muslim movement. African blood, African origin, African culture, African ties. And you'd be surprised - we discovered that deep within the subconscious of the black man in this country, he is still more African than he is American.
I've made it my mission to make movies starring African American actors and about the African American experience and put them in the mainstream. They're very universal stories I've told - every movie I've done.
The acceptance of the facts of African-American history and the African-American historian as a legitimate part of the academic community did not come easily. Slavery ended and left its false images of black people intact.
The potential significance of Black feminist thought goes far beyond demonstrating that African-American women can be theorists. Like Black feminist practice, which it reflects and which it seeks to foster, Black feminist thought can create a collective identity among African-American women about the dimensions of a Black women's standpoint. Through the process of rearticulating, Black feminist thought can offer African-American women a different view of ourselves and our worlds
In the Shadow of Slavery covers two and a half centuries of black life in New York City, and skillfully interweaves the categories of race and class as they affected the formation of African American identity. Leslie Harris has made a major contribution to our understanding of the black experience.
For many American-Jewish writers, the dominant motifs have been cultural, secular, sometimes comic, often satirical. Writing about the religious component of Judaism, I found my own themes independent of the New York experience and the immigrant experience.
I don't really identify with America, I don't really feel like an American or part of the American experience, and I don't really feel like a member of the human race, to tell you the truth. I know I am, but I really don't. All the definitions are there, but I don't really feel a part of it. I think I have found a detached point of view, an ideal emotional detachment from the American experience and culture and the human experience and culture and human choices.
I wanted to identify that the black experience is American experience.
I have a perhaps naive point of view informed by my own kind of snowflake-in-the-unique-sense rather than the political sense, personal story. I mean I feel like my experiences are so hard to map onto any kind of generalized identity. For example, I'm a black person, but I come from a very particular black experience which is not unlike the experience of the Barack Obama. I have an African mother and a white father and I feel like I have a different experience of being a black person as a result of that identity than someone who is from the descendants of slaves.
The immigrant experience in 'Ilustrado' was only a small part of what I intended to be a broader look at the Filipino experience, even if that broader look was itself merely a specific perspective.
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