A Quote by Oprah Winfrey
I did not believe what I was told about being poor and black and female in Mississippi in 1954.
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My concern was first, for the black people of Mississippi, then I became concerned for black people nationwide, now my concern is for black people all over the world. I began to realize that it's not as much about race as we think it is. It's about the rich vs. the poor. I feel as if the different races are pitted against one another so we won't see the bigger (financial disparity) problem.
I think it's important for people to understand that dance, movement, choreography is about an experience and entertainment but it's also about perception and a lens. So when we're talking about a Black female's experience through a Black female's lens, that's going to be totally different from a Black female's perspective through a Black male's lens.
The first decade of the twentieth century was not a great time to be born black and poor and female in St. Louis, Missouri, but Vivian Baxter was born black and poor, to black and poor parents. Later she would grow up and be called beautiful. As a grown woman she would be known as the butter-colored lady with the blowback hair.
I did it to myself. It wasn't society... it wasn't a pusher, it wasn't being blind or being black or being poor. It was all my doing.
[On his heroin addiction:] I did it to myself. It wasn't society...it wasn't a pusher, it wasn't being blind or being black or being poor. It was all my doing.
Being Black and poor is, I think, radically different from being anything else and poor. Poor, to most Blacks, is a state of mind. Those who accept it are poor; those who struggle are middle class.
The greatest percentage of poverty is found in female-headed households. Over 70 percent of female-headed households are poor. A large percentage of poor people are children (17 percent); fully 85 percent of black children living in poverty reside in a female-headed household.
Being born gay, black, and female is not a revolutionary act. Being proud to be a gay black female is.
It is bad enough to be white and poor; it is worse still to be black, or brown, and female, and young, and poor. Simply said, race makes class hurt more.
I really think the range of emotions and perceptions I have had access to as a black person and as a female person are greater than those of people who are neither.... So it seems to me that my world did not shrink because I was a black female writer. It just got bigger.
I felt like it was a courageous show [Black-ish] from the beginning. We are a black family - we're not a family that happens to be black. But the show is not even about us being black. The show is about us being a family. That is groundbreaking - on TV, the black characters either happen to be black or they're the "black character," where everything they say is about being black. I think that's the genius.
Nina Simone sacrificed so much to be as bold as she was about being black and about being female in an era where that could have cost her life.
Among liberals and Democrats, there is this notion that the poor - especially the black poor - can do no wrong. If you criticize any poor and black person who displays inappropriate, boorish or egregiously bad conduct, you'll be dismissed as a racist if you're not black. And as an Uncle Tom or sellout if you are.
One thing that did give me pause for thought, when I told my female friends now that I was writing about a 13-year-old girl, without exception they all said, 'I would not go back to being 13 for a million pounds.'
I grew up in Mississippi being told it was a great place, but not feeling that. When I finally began reading seriously, literature showed me something about where I was from which was worthwhile.
Being a female director become as professional as your male colleagues and forget the whole question about being female. You are female anyway and it is going to work in your favor. The scope of female professional superiority can be understood by so few men that mostly they do not miss it.
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