A Quote by Oprah Winfrey
I am a woman in process. I'm just trying like everybody else. I try to take every conflict, every experience, and learn from it. Life is never dull.
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I try to take every conflict, every experience, and learn from it
The amount of preparation I saw from someone like [David] Fincher, and how aware he is of everybody else's job on the set, and how much respect he has for every aspect of the film, and every aspect of the frame - that's the type of actor I am now; it's not the type of actor I was then. But without understanding his process, and then coming to learn it later on, I would never be the actor I am now.
I never try to guess what anyone else will take from a movie. Every movie is such a different experience for each and every person. I don't like it when people try telling people what they should take from a movie. You should go see it with fresh eyes and see for themselves.
I always try to think about what I can do to let people know that I'm just like everyone else. I have two girls here at home I'm trying to raise. I'm trying to be a good stepmom. I'm trying to stay fit and be a good model and break ground in the acting world. I'm working that same struggle every other woman is trying to work.
Better world. Better life for everybody, every worker. Poor kids oughta be able to go anyplace their brains will take them. Not where Daddy or Mommy's pocketbooks can send them. Everybody oughta have health care, everybody oughta have some retirement security, every American. Every one. Everybody oughta have a decent good job. That's what I believe in, and that's what I fight every day to try to achieve.
I think that every day is a learning experience. I mean, every time I go to a school I learn something else from a teacher or learn something else from a student, I learn something else from a parent. There's so much to know when you talk about education.
Somewhere, things must be beautiful and vivid. Somewhere else, life has to be beautiful and vivid and rich. Not like this muted palette -a pale blue bedroom, washed out sunny sky, dull green yellow brown of the fields. Here, I know ever twist of every road, every blade of grass, every face in this town, and I am suffocating.
I read things and imagine them and then kind of start trying to kind of take what I imagine and make it visual for everybody else to see. It just happens to be my personal vision, and every person's is going to be different, every book reader.
I just thought I‘d never look good in what everybody else wore. So there’s no point trying. You just have to do what suits you, and it doesn’t matter if you don’t look like everybody else. Be you. That’s our gift and we’ve got to celebrate that, but it does take ages. I was wracked with self-doubt for years. I get spasms of it even now – I’m not indelibly self-confident.
I learn from everybody I work with, and you learn, every single day. I can learn from anyone. Being fortunate enough to perform in front of a changing live audience, every night, you learn from everybody. Everyone has an opinion and they'll let you know.
I always try to take from past performances. You never try to get too high or too low. Just play every game, just treat every game like it's the same.
While I don't necessarily believe the cliche that 'everything happens for a reason,' I do believe that every encounter, every situation, and every challenge I've experienced has shaped me into the woman I am today. And I am proud to say that I have never backed down from life's challenges.
You have to absolutely commit to whatever your process is and attack that process every single day, of trying to get better, take steps forward, without getting caught up in the immediate results that everybody wants to see. That's probably the biggest challenge.
It is hard work to give life to new characters every single day. It is not as if I am God. I am just a tired, middle-aged woman trying to keep going.
If I think back to every rehearsal process for every play I've ever worked on, there's just so much crying at home. I barely sleep. There are moments of deep despair and anxiety, and then there are moments in rehearsal that are the most exhilarating; feeling seen and seeing everybody. Feeling like you have a purpose on the planet. A huge part of the process I enjoy is watching the actors figuring out what they can handle and what they can take and what they need from the director and me.
My bench never heard me mention winning. My whole emphasis was for each one of my players to try to learn to execute the fundamentals to the best of their ability. Not to try to be better than somebody else, but to learn from others, and never cease trying to be the best they could be; that's what I emphasized more than anything else.
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