A Quote by Oren Moverman
I think that almost every scene was an exploration - it was never going to be just what’s on the page. So I know I was very lucky - we all were - to work with a cast of this caliber. These are extremely experienced and intelligent actors, who are also deeply emotional and - as you say - are also engaged in the world.
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Every day, every scene, you were like, "My god. I'm doing a scene with Brian Cox today and then I'm onto a scene with Stephen Rea." For us young actors, I think we were all very, very star-struck and impressed by the caliber of everyone who came out.
I want it to feel very satisfying, the ending, so you've felt like you were going on a journey and we were trying to lead you somewhere. So going into that, it's made it extremely funny but also a very emotional last season of the 'The Mindy Project' .
When everything is added up, the frequent blows weighted against the sporadic triumphs, this is I have to say not just a vocation, it's a great gift. But you also know this, for your work, for your passion, every day is a rededication. Painters, dancers, actors, writers, filmmakers. It's the same for all of you, all of us. Every step is a first step. Every brush stroke is a test. Every scene is a lesson. Every shot is a school. So, let the learning continue.
Jeremy Popkin's collection of first-person narratives of the Haitian Revolution is an extremely valuable work, accessible, sound and intelligent. I only wish such a book had been available fifteen years ago when I was in the early stages of researching my series of novels. Popkin has been deft and tactful in stitching together these excerpts, and as a result, he manages to tell a complete version of the Revolution almost entirely in the words of the people who experienced it-this book engaged me deeply.
I got so lucky on my 'Red Widow' cast. It was just the universe looking out for me that I got those actors. It's a big ensemble cast, a very international cast. I don't know how that happened.
I wouldn't say I see things visually first, but what I do think is important, for a lot of screenwriters, is to not just think about the words on the page, but also the world as a whole and the vibe of the movie, rather than a sequence of scenes written on the page.
I hope my talent has something to do with it. I just think this business is so crazy. I obviously do the best I can, and the directors I admire see something in me. But this is a strange business, and there are people who are incredibly talented who never make it, who never get these opportunities. So that's why I say I'm lucky. I don't feel that I'm not talented - I think I am talented - but I also think I'm very lucky.
By every mortal standard, the worst faeries in the world were those in the Dark Court. They fed on the baser emotions; they engaged in activities that the other-also amoral-faery courts repudiated. They were also the only ones she truly trusted or understood.
I always think before I speak. I'm not the sort who will just say anything that comes to my mind. I'm a very emotional and sensitive person. But I'm also very strong and know my mind well.
I also wanted to do something that I hadn't really seen in almost any black novels, which was a complex love story in which both people were extremely intelligent and talented and understood a lot of things and were still at odds getting it together.
In 'Twilight,' you're setting up the world. You're introducing the world, and I was also writing in a vacuum because I didn't know who the actors were going to be. Now you're going to 'New Moon' and 'Eclipse,' and I could write specifically to them in my mind. So it becomes a more comfortable world.
Musicians used to be way more instrumental just in providing a soundtrack to what's going on in the world. And it's also important to state what we think. There's like this fear for their career, if they have anything intelligent to say about politics. And that's really messed up.
I'm extremely lucky to be doing what I'm doing right now and I work very hard at maintaining this career and living this dream that I'm living, but there's also a price to pay. I mean, we give a lot of ourselves and every day.
The production scale of 'Okja,' which I had never experienced before, was jaw-dropping. Not only the actors but also all the staff were experts in their fields.
Jane Lynch is incredibly quick-witted, very intelligent, and extremely humorous. Also, on top of that all, just a very wonderful, warm, kind person. She's definitely someone to look up to.
It is a challenge to work away from India and with a cast and crew from all over the world. But it's also very gratifying, and you learn so much by just being with them.
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