A Quote by Oren Moverman

I have no idea what the next project will be and if there's a next project. I don't even know if we're all going to be here tomorrow, but I'm pretty optimistic.
I never had a lot of ideas. I always have exactly one that is the next project; the idea of a project beyond that project is ludicrous.
My students frequently ask what their next project should be. My advice: immerse yourself in the music you love and you will find what you want to do; you will discover your next project.
I try to just be open to what the next experience is and how it makes me feel, just reading a project, or trying to get involved with a project, or thinking about a project, and what particular emotional flavor that brings. To me, it's never really about planning the next thing, or the career arc. It's about investigating how I feel, from project to project, and finding things that I haven't explored and what that would be like.
My next project will be a Christian album, another one. I wrote the songs for the ones you're referring to, but I want to do some of my old gospel favorites. That's what my next album's going to be.
Celebrity Apprentice' was something where you don't know what you're going to do the next day. Every two days, somebody goes home, and you don't know if the next day you've got to be the project manager or what's going to happen, so you can't really prepare. You really have to be on top of everything.
I don't really feel pressure. I'm so distracted by what we're doing; I'm doing this four-acre project, it's just absorbing all my attention. Before you know it we're onto the next project, and so on and so forth.
One of the things that's been nice about my career is that I've been able to do so many different things, and variety keeps your creative soul fulfilled. I'm constantly looking to find new things to do. It's just project to project for me. You never know where the next thing's going to come from.
I'm strictly a one-project-at-a-time kind of guy. If I came up with a compelling idea for a different book while working on a project, I'd probably abandon the first project and go with the new idea.
Hollywood is a roulette wheel. Each project dictates what's going to happen for you next, and it doesn't really matter that your project is critically acclaimed or won awards or has fans worldwide. It's a matter of how many movie tickets and DVDs and on-demand movies that you sell.
It depends on the project, what's happening that day on the project, at what stage were in on the project; it various from project to project and where we're needed.
You cannot make promises because you never know what your next project will be.
I always look forward to the next project. That is one of the wonderful things about architecture - you always can hope for another project to design.
If you embrace a project that will require time and patience, then you need something to work on. So the first step of the project is to create an identity. If you don't have an identity, then today you want this player and tomorrow another one. If you have an idea and a shape, then this is how you develop an identity.
Success on one project does not necessarily mean success in the next project. You've got to be prepared in everything you do.
I think I'm built like a painter. I have friends who are painters and they reflect a similar psychological attitude towards their work. They don't know what's coming next, they just wait for the message, for orders to come and then off they go on their next project.
After 'Peepshow,' I really don't know what my next project will be. But I would like to keep on doing theater. I think I could do that forever.
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