A Quote by Oren Peli
On 'Paranormal Activity,' it worked to my advantage not to have much of a crew, but on a bigger movie, where you have to work with a larger group of people who basically become your second family for a few months, it can be a great experience. Even though all of my projects are small scale compared to most Hollywood productions.
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If there's a cutaway, you need to get it then because it's only going to last [a few moments]. You have to edit the movie as you're shooting it in your head and communicate with your crew about how it's going to work. While making a movie, you have the luxury of storyboards and a script and a bigger crew and actors. I mean, it's so much easier.
I think people are willing to take more of a risk on an indie film, about character, etc...but at the same time, when I work on projects that are substantially bigger, in a way they do feel small. Even though the catering is way better and we actually have someone shooting with real film.... The budgets are bigger but the story still feels small, like an indie film.
Making a movie about one group of people isolates the larger majority. That's what I require of the projects that I'm involved with. I would not ever make a movie strictly for Latinos.
If you look to the few films that have been really successful, 'Insidious,' 'Paranormal Activity,' it's all basically the old monsters.
My temperament is not the adventuresome sort that enjoys starting new projects every six months. I love ensemble, nine-to-five stability. There's a family dynamic in making a television show that you don't get on a movie, where you're a hired gun for a few months.
When you work on a movie or a TV show, you're a family, so if something that's a two-minute thing in the movie is causing a rift in the family, you also have to think about at what point do you fight this, and at what point is this rift worth having in this very small, very tight group of people who are just there to make something great and funny.
Most people who've had a big hit movie like 'Paranormal Activity,' the next thing they say is, 'I want to make a $100 million movie.' I have no interest in making more expensive movies.
'Paranormal Activity' was the first of our independently made/studio-released films. It was also the ultimate low-budget high-concept movie, which is what we are always looking for. 'Paranormal Activity' was the genesis of our model, of which I am so proud.
To me, I approach a small-budget, artsy, European movie the same way as a big commercial Hollywood movie. That's the most important thing. Hollywood usually represents this big dream in people's minds, but to me, it's just hard work.
As much as I thought the end of 'Friday Night Lights' was a really great ending, I was one of those people who wanted to make it into a movie. Even though it ultimately didn't work to do that movie, I did work with some of the other writers and by myself writing a script for that.
There have been movies like 'Paranormal Activity' or 'Blair Witch Project' in Hollywood that showed you could do movies with little or no money. It doesn't prevent them from creating larger than life spectacles as well.
... placing economic activity in the context of the whole earth requires attention to the question of scale. Bigger is obviously not better, so the optimum scale of human economy in relation to the total economy becomes basically a question of sustainability. When the effects of the economy on the environment undercut the possibility of its own continuance, the scale is too large.
Basically, Beautiful Creatures was the first lead that I had since Tetro, and it was a lesson in seeing what it's like to film a movie that's of a much bigger scale. It was a good initiation.
Being second generation in Hollywood is complicated: Success is expected, and yet the track record of the second generation is not great. Only a small group of us, like Jane Fonda, have succeeded.
The crew loves working on the show, even though we have to work really hard. There's nobody in the show that's difficult. We really have a great group.
My films are about faith, and they're made on faith. There has to be faith because making a movie, so many things can go wrong. Me and my crew take the leap together, trusting the net will appear. I've been fortunate even though I've worked with small budgets, people have donated time and talent because they feel the films have something important to say.
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