For a found-footage-style movie, there's a definite advantage in using unknowns, because it helps sell the illusion that it's real. A known actor would get in the way of the suspension of disbelief.
When it comes to acting, people talk about the suspension of disbelief that you ask of the audience. Before that starts, you have to, as an actor, suspend your own disbelief.
Everyone knows that a movie is false. But if as filmmakers we give the audience too many reasons to lose the suspension of disbelief, I believe we're working our way down a hole.
As known unknowns become known; unknown unknowns proliferate; the larger the island of knowledge, the longer the shoreline of wonder.
I guess love is the real suspension of disbelief.
You can't make movies without known names, and unknowns can't become known, because they can't get work.
There are known knowns and known unknowns, but what we should be worried about most is the unknown unknowns.
Suspension of disbelief and that whole question is part of the heart of the 'Leaves of Grass'movie.
When I was a kid, Santa, the Tooth Fairy, my stuffed animals - they were real. There is the tremendous suspension of disbelief that you have as a child. It's harder as an adult.
Some popular quotations smell of airless closets. They exhale the stale imagination of the intellectual lower middle class. "Suspension of disbelief" has become one of them. Dressed up as a scintillating double negation, it serves the pedestrian notion of art as illusion.
There is a scenario where AI may keep U.S. soldiers off the battlefield entirely, by using AI as a strategic advantage to prevent conflict or using it to find the critical piece of information within surveillance footage.
That suspension of disbelief that's required as an actor to live truthfully in imaginary circumstances is different to what needs to happen as a director, in the sense that you are the master of all the moving parts. You create the world in every detail.
Every little thing that people know about you as a person impedes your ability to achieve that kind of terrific suspension of disbelief that happens when an audience goes with an actor and character he's playing.
'Cloverfield' and 'REC' are great examples of movies that took kind of tired genres, the monster movie and the zombie film, and by filming them in found footage, it was a new perspective. It gives you a whole new take and helps you re-experience that all over again.
You gotta have style. It helps you get down the stairs. It helps you get up in the morning. It's a way of life. Without it, you're nobody.
Touring definitely helps sell albums. Things have changed. I've noticed now more than ever when you market an album, get radio play/video play etc. it helps sell albums but it helps get more shows.
If we had a completely found footage feel, with no editing, then we would have a twenty four hour movie and that doesn't really work either.