A Quote by Orhan Pamuk
Real museums are places where Time is transformed into Space.
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When museums are built these days, architects, directors, and trustees seem most concerned about social space: places to have parties, eat dinner, wine-and-dine donors. Sure, these are important these days - museums have to bring in money - but they gobble up space and push the art itself far away from the entrance.
Museums provide places of relaxation and inspiration. And most importantly, they are a place of authenticity. We live in a world of reproductions - the objects in museums are real. It's a way to get away from the overload of digital technology.
In the 1920s the young English physicist Paul Dirac began trying to understand and describe the space-time evolution of the electron, the first elementary particle discovered by J.J. Thomson in 1897. Dirac was puzzled by an unprecedented property of space-time, discovered by Lorentz in his studies of electromagnetic forces, whereby if space was real, time had to be imaginary, and vice versa. In other words, space and time had to be a ‘complex’ mixture of two quantities, one real and the other imaginary.
Small paintings can be fantastic. But you can't often get a narrative out of a small painting. In any case, museums are huge places, and you want to take up some space.
Time is not a line but a dimension, like the dimensions of space. If you can bend space you can bend time also, and if you knew enough and could move faster than light you could travel backwards in time and exist in two places at once.
Space and time are real for the man who is yet imperfect, and space is divided for him into dimensions; time, into past, present, and future.
I'm very interested in the idea of unusual museums, ones that are not necessarily contemporary art museums - more like historical collections or house museums.
There is nothing mysterious about space-time. Every speck of matter, every idea, is a space-time event. We cannot experience anything or conceive of anything that exists outside of space-time. Just as experience precedes all awareness and creative expression, the visual language of our photographs should ever more strongly express the fourth dimensional structure of the real world.
We have transformed our colleges from places of higher learning into places for the technical training of poorly prepared young men and women who need a degree to get a job in a college-crazy society.
Museums have traditionally been places that protect the art object. But in the last 40 years, a new type of museum has emerged - the Kunsthalle or alternative space which only presents temporary, contemporary shows. Yet art is not just about the future - it is about the future and the present, but it also can't forget the past.
The influence of the senses have in men overpowered the thought to the degree that the walls of time and space have come to look solid, real and insurmountable. .. Yet time and space are but inverse measures of the power of the mind. Man is capable of abolishing them both.
It's interesting how as an artist you keep evolving, but if you can get into the contemporary art space, if the works are in institutions and museums, they keep living on and on and on, even if you move to a different space, that work is still operating.
I always think of space-time as being the real substance of space, and the galaxies and the stars just like the foam on the ocean.
People are going to have a good time, you know. One can go have a good time at these big openings in museums. And people go to have a good time. But the thing has another purpose.In the case of museums, it's always got to do with money, people who donate and things like that. And I believe a certain kind of interest has to be demonstrated.
But as Van casually directed the searchlight of backthought into that maze of the past where the mirror-lined narrow paths not only took different turns, but used different levels (as a mule-drawn cart passes under the arch of a viaduct along which a motor skims by), he found himself tackling, in still vague and idle fashion, the science that was to obsess his mature years - problems of space and time, space versus time, time-twisted space, space as time, time as space - and space breaking away from time, in the final tragic triumph of human cogitation: I am because I die.
Museums are good things, places to look and absorb and learn.
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