A Quote by Orhan Pamuk

More than anything I am a novelist. But for me, an author's job is not only to create linguistically accomplished works. As an author I also want to stimulate discussion. — © Orhan Pamuk
More than anything I am a novelist. But for me, an author's job is not only to create linguistically accomplished works. As an author I also want to stimulate discussion.
My #1 job as a thriller author is to give readers the best white-knuckle thrill ride I am capable of. I am first and foremost in the entertainment business. If that suspenseful ride is also terrifying because it hits really close to home, then I am once again doing what I am supposed to do as a thriller author.
I didn't understand in the beginning that the editor didn't want me to know the author. I'd make an effort to meet the author, but it would end up being a disaster because then I had the author telling me what I should be doing.
When I read a novel that I really like, I feel as if I am in direct, personal communication with the author. I feel as if the author and I are on the same wavelength mentally, that we have a lot in common with each other, and that we could have an interesting conversation, or even a friendship, if the circumstances permitted it. When the novel comes to an end, I feel a certain letdown, a loss of contact. It is natural to want to recapture that feeling by reading other works by the same author, or by corresponding with him/her directly.
I only know what it's like to be an author with social media. I can't compare. I do think we lose the mystery of the author. Today, I get tons of e-mails and Facebook messages from readers, and my goal with Twitter and Facebook is, if someone reaches out to me, I'm going to respond to them. I don't want to be an elitist author who is untouchable. I'm just a regular person, too. I will always respond to everybody.
Every author has different ways of writing and what works for one author does not necessarily work for another.
Why do you want to become an author? I will accept only one answer. If it is because you feel you can write better than you can do anything else then go ahead and do it without frills and flourishes. Stick to your present job and write in your spare time: but do it as if it is a whole time job.
My favorite anything is always relative to the context of present time, place and mood. When I finish a book and want to immediately find another by the same author and no other, that author is elevated to my favorite.
I do not hold that because the author did a bad job of writing the player need trump it with the same kind of acting. When I go into a picture I have only one character to look after. If the author didn't do him justice, I try to add whatever the creator of the part overlooked.
Being a best-selling author just means the world for me. Some of my happiest memories, growing up, are being at book stores and reading books I couldn't afford, as a kid, and the midnight parties, waiting for the next Harry Potter book. The fact that I have that straw in my cap means more to me than anything I've ever accomplished before.
An unread author is an author who is a victim of the worst kind of censorship, indifference - a censorship more effective than the Ecclesiastical Index.
The work of one author or artist may stimulate another author or artist to push the edge, to take the risk, to go where the field hasn't gone before. The result -very exciting children's literature and art ... exciting both for the professional and for the intended audience, the children.
Writing is transmogrifying, not just for the reader but also for the author; an author becomes someone he or she isn't by living the lives of his or her characters.
Awarded the Nobel Peace Prize in 1986, Elie Wiesel is also the author of more than 40 books. As relevant as anything to today's discussion are the insights into the Biblical texts that are contained in his lectures and books. They include Messengers of God [1976], Five Biblical Portraits [1978] and his just-published Wise Men and Their Tales - Portraits of Biblical, Talmudic and Hasidic Masters.
You can't believe anything that's written in an historical novel, and yet the author's job is always to create a believable world that readers can enter. It's especially so, I think, for writers of historical fiction.
If you don't put 99 percent of yourself into the writing, there will be no publishing career. There's the writer and there's the author. The author - you don't ever think about the author. Just think about the writer. So my advice would be, find a way to not care - easier said than done.
I have never admitted the right of an elderly author to alter the work of a young author, even when the young author happens to be his former self.
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