A Quote by Orhan Pamuk

Try to discover who I am from my choice of words and colors, as attentive people like yourselves might examine footprints to catch a thief. — © Orhan Pamuk
Try to discover who I am from my choice of words and colors, as attentive people like yourselves might examine footprints to catch a thief.
I became so attentive to the souls of other people that I was not as attentive as I might have been to my own.
It is only the dull, sleepy mind that creates and clings to habit. A mind that is attentive from moment to moment - attentive to what it is saying, attentive to the movement of its hands, of its thoughts, of its feelings - will discover that the formation of further habits has come to an end.
My choice of colors does not rest on any scientific theory; it is based on observation, on feeling, on the experience of my sensibility. Inspired by certain pages of Delacroix, an artist like Signac is preoccupied with complementary colors, and the theoretical knowledge of them will lead him to use a certain tone in a certain place. But I simply try to put down colors which render my sensation.
Surely it is time to examine into the meaning of words and the nature of things, and to arrive at simple facts, not received upon the dictum of learned authorities, but upon attentive personal observation of what is passing around us.
I can never say what I want to say, it's been like this for a while now. I try to say something but all I get are wrong words - the wrong words or the exact opposite words from what I mean. I try to correct myself, and that only makes it worse. I lose track of what I was trying to say to begin with. It's like I'm split in two and playing tag with myself. One half is chasing this big, fat post. The other me has the right words, but this can't catch her.
Most songs come from being attentive. Attentive to life, attentive to scripture, attentive to your heart. Pay attention!
We might not be back. I might be in jail. I might be anywhere. But when I leave, you'll remember I said, with the last words on my lips, that I am a revolutionary. And you're going to have to keep on saying that. You're going to have to say that I am a proletariat; I am the people.
I don't know if I approach choice any differently than the sighted people do, but what I am very cognizant of is that choice does have limits and because of that I really try to take advantage of the domains in which I do have choice.
To ask the mind to kill itself is like making the thief the policeman. He will go with you and pretend to catch the thief, but nothing will be gained. So you must turn inward and see where the mind rises from, and then it will cease to exist.
I don't conjure up ways of denying people freedom. I don't sit around and examine what people do that I don't like and try to figure out ways to get them to stop it, unless we're talking about lawbreakers, of course. But I'm a freedom, liberty, live and let live kind of guy. I might not approve of or like what people do, but have at it.
Set a thief to catch a thief.
I try to enjoy a movie or a television programme just like anybody else. I'd love to be emerged into the story and watch it, but if you work a lot as an actor, in any aspect of the industry, things might arise in a programme that somebody might miss, whereas it might catch your attention.
This wordly life is like a shadow. If you try to catch it, you will never be able to do so. If you turn your back towards it, it has no choice but to follow you.
I try to apply colors like words that shape poems, like notes that shape music.
I want to encourage other people to try to discover who they are, not to try to fit into some superficial prototype of what they think a Christian should be, but to discover who they really are.
It's an enormous amount of work: there are 28 separate buildings, and I work on the choice of the colors for everything. Outside colors, balcony colors, etc.. And all of this has to work together, in harmony.
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