A Quote by Orhan Pamuk
First, I would find an object which I would think is suitable for my characters and stories, then write about it, and in the end, I ended up with a house full of thousands of objects.
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Working in MTV's development team, my days would consist of pitches and deciding which concepts we wanted to buy. We would then develop those into a pilot. Very few ended up making it to a full series, but if they did, I would manage the project alongside the show's creators.
I had developed this habit of writing scenarios as a hobby. I would find out which stories had been sold to be made into films and I would write my own treatment and then compare it.
Object-oriented programming aficionados think that everything is an object.... this [isn't] so. There are things that are objects. Things that have state and change their state are objects. And then there are things that are not objects. A binary search is not an object. It is an algorithm
I have lots of objects. Every object has a story, which makes me think I should write a story about every object.
I find that I end up liking songs if I really have an idea of something I wat to write about-some problem in my life or something I want to work through; if I don't have something like that at the root of the song, then I think I end up not caring about it as much. I gravitate towards some kind of concept or idea or situation that I want to write about. Very often I have to write, rewrite and come at it from an opposite angle...and I end up writing the opposite song that I thought I was going to write.
If people find me suitable for a role, which equally interests me, then I will think about it. Having said that, there is a perception that TV actors can't act in movies. I would like to break this myth if and when I decide to do films.
I try to find stories that I would think that everyone would find interesting, and just a good entertaining story, and then if I can find a story that has a raison d'etre behind it that I feel is important then that's the best for me.
At times I have a beat first and then I write. Sometimes I have a melody in my head and I pick up the guitar to develop the song. Other times I just write without any melodies, and I end up using those lyrics when I think I have the appropriate instrumental that would bring out and depict the emotions of what I have written.
When I signed this past summer, Lou Lamoriello, Jacques Lemaire, and I agreed that if we were unable to find a suitable fit in which I would be able to compete and contribute at the level I expect from myself, then I would simply step aside.
If you took a couple of David Bowies and stuck one of the David Bowies on the top of the other David Bowie, then attached another David Bowie to the end of each of the arms of the upper of the first two David Bowies and wrapped the whole business up in a dirty beach robe you would then have something which didn't exactly look like John Watson, but which those who knew him would find hauntingly familiar.
Ben remembered reading about curators in "Wonderstruck", and thought about what id meant to curate your own life, as his dad had done here. What would it be like to pick and choose the objects and stories that would go in your own cabinet? How would Ben curate his own life? And then, thinking about his museum box, and his house, and his books, and the secret room, he realized he'd already begun doing it. Maybe, thought Ben, we are all cabinets of wonders.
I challenge any American family to think about what they would do if they were invaded by a hostile force. If tanks pulled up outside their house, and there were armed men inside, would they send their kids out? A lot of Americans would fight that to the end.
I write for myself, and perhaps for half a dozen friends. And that should be enough. And that might improve the quality of my writing. But if I were writing for thousands of people, then I would write what might please them. And as I know nothing about them, and maybe I'd have a rather low opinion of them, I don't think that would do any good to my work.
I write my own stories. I like telling stories to little children. I think the good thing about stories is they carry you to another place which you've never been. And you feel like you're just enveloped by the book and the characters.
As I get older I find myself thinking about stories more and more before I work so that by the time I eventually sit down to write them, I know more or less how it's going to look, start or feel. Once I do actually set pencil to paper, though, everything changes and I end up erasing, redrawing and rewriting more than I keep. Once a picture is on the page I think of about ten things that never would have occurred to me otherwise. Then when I think of the strip at other odd times during the day, it's a completely different thing than it was before I started.
In other philosophies, my questions would get answered to some degree, but then I would have a follow-up question and there would be no answer. The logic would dead-end. In Scientology you can find answers for anything you could ever think to ask. These are not pushed off on you as, 'This is the answer, you have to believe in it.' In Scientology you discover for yourself what is true for you.
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