A Quote by Orhan Pamuk
From a very young age, I suspected there was more to my world than I could see: somewhere in the streets of Istanbul, in a house resembling ours, there lived another Orhan so much like me he could pass for my twin, even my double.
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A book had always been a door to another world... a world much more interesting and fantastical than reality. But she had finally discovered that life could be even more wonderful than fantasy. And that love could fill the real world with magic.
The thing was, at a young age, my mom and my grandma always tried to keep me out of the streets as much as they could, so they put me in a private school when I was super young.
Music was never an obligation for me; from a very young age, I understood it as a moment of freedom where you could express yourself. I realized how much joy it could bring and how much that meant to me.
Occasionally I was so much better that I could go out; but the streets used to put me in such a rage that I would lock myself up for days rather than go out, even if I were well enough to do so! I could not bear to see all those preoccupied, anxious-looking creatures continuously surging along the streets past me! Why are they always anxious? What is the meaning of their eternal care and worry? It is their wickedness, their perpetual detestable malice-that's what it is-they are all full of malice, malice!
How much can we ever know about the love and pain in another's heart? How much can we hope to understand those who have suffered deeper anguish, greater deprivation, and more crushing disappointments than we ourselves have known? Even if the world's rich and powerful were to put themselves in the shoes of the rest, how much would they really understand the wretched millions suffering around them? So it is when Orhan the novelist peers into the dark corners of his poet friend's difficult and painful life: How much can he really see?
In Zagreb, the Old Town really could be Prague. You go two hours to the coast to Opatija, and you really could be in the South of France, in the Croatian Riviera. And then you head down the coast towards Split, and you get into more Turkish architecture, so you can double Istanbul.
Throughout my career, even as a very young actor, people have always said to me that they would like to see my Othello. They could see something of him in me, I suppose.
For me, hip-hop was a mirror when young-adult books were not. I could see myself in a Nas song more than I could see myself in a book.
And we could have all this,' she said. 'And we could have everything and every day we make it more impossible.' 'What did you say?' 'I said we could have everything.' 'We can have everything.' 'No, we can't.' 'We can have the whole world.' 'No, we can't.' 'We can go everywhere.' 'No, we can't. It isn't ours anymore.' 'It's ours.' 'No, it isn't. And once they take it away, you never get it back.
I just love writing. It's magical, it's somewhere else to go, it's somewhere much more dreadful, somewhere much more exciting. Somewhere I feel I belong, possibly more than in the so-called real world.
It seems to me there's so much more to the world than the average eye is allowed to see. I believe, if you look hard, there are more wonders in this universe than you could ever have dreamt of.
What I've found is that there is an enormous shift taking place in our society. Suddenly there are all young women who are better educated and earning more money than men their age. When young couples today decide to marry, they have very different expectations of one another than their parents did. And there's even been change at the very top of the career ladder. People tend to underestimate that.
My wife runs the house much better than I could so I think she could be a linesman or a referee or even a football manager and that's the truth.
I learned in life from a very young age that I soaked in a lot more from people that I respected and could learn from rather than a textbook.
Even when I was young I wanted to be an actress. I knew the actors and the paparazzi. It was just kind of always in my landscape. It was never directed at me, but it was always somewhere so I could see how it operated and I could see it from afar and go 'Wow, that's not really glamorous, it's kind of exhausting not having any privacy.' So it was never something I pursued. The first time I saw the billboard for Pretty Little Liars I almost got into a car accident!
So something had begun, and now she could not stop it. Twin threads ran through her: fear and excitement. She could leave this place today. She could start a new life somewhere else.
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