A Quote by Orhan Pamuk

Istanbul is a vast place. There are very conservative neighbourhoods, there are places that are upper class, Westernised, consuming Western culture. — © Orhan Pamuk
Istanbul is a vast place. There are very conservative neighbourhoods, there are places that are upper class, Westernised, consuming Western culture.
The upper class desire to remain so, the middle class wish to overthrow the upper class, and the lower class want a classless system.
I'm interested in illuminating the enormous disparity between vast poverty and the tiny upper class... This vast inequity is unfair by definition, and I am interested in illuminating that and, where possible, changing that.
The anger from Occupy Wall Street is coming from this simple fact: America no longer seems to be a place where you can work your way up, from rags to riches, from lower class to middle class to upper class.
I think the working-class part of me comes out. Sometimes the people who have the loudest mouths are upper-class, upper-middle-class. The quietest are often working-class people, people who are broke. There is a fear of losing whatever it is that you have. I come from that background.
Culture is mix. Culture means a mix of things from other sources. And my town, Istanbul, was this kind of mix. Istanbul, in fact, and my work, is a testimony to the fact that East and West combine cultural gracefully, or sometimes in an anarchic way, came together, and that is what we should search for.
When I was in college, I lived in a mostly black, poor neighborhood. That's where I grew up, but I attended a mostly white upper-class school in conservative Mississippi. I was often very aware of how I presented myself.
Look, there is a sort of old view about class which is a very simplistic view that we have got the working class, the middle class and the upper class, I think it is more complicated than that.
Mr. Cosby wanted to do a show not about an upper-middle-class black family, but an upper-middle-class family that happened to be black. Though it sounds like semantics, they're very different approaches.
With a few notable exceptions, literary fiction in the U.K. is dominated by an upper and upper middle-class clique who usually have a tin ear for the demotic and who portray working-class characters with, at best, a benevolent condescension.
It's strange because we think of the upper middle class, for example, as being secular, that they've fallen away from religion. Well, it turns out that the upper middle class goes to church more often and feels a much stronger affiliation with their religion than the white working class.
I grew up in Solihull, on the edge of what was then the Birmingham conurbation. It was a good place to write comedy from. I didn't feel allegiance to anything. I didn't have working-class pride or upper-class superiority.
It was in Cihangir that i first learned Istanbul was not an anonymous multitude of walled-in lives - a jungle of apartments where no one knew who was dead or who was celebrating what - but an archipelago of neighbourhoods in which everyone knew each other.
Politicians and bureaucrats are the new upper class in Norway. It is an upper class that is growing by an increasing number of top-paid politicians in municipalities and counties. They let the people suffer, but let themselves go free.
Istanbul is divided by time, not space. The first Istanbul is the Istanbul of the past. A long time ago, during the empire, it was beautiful, it was the glorious time of our nation, people say. Then, when they talk about today, they complain about it: It's very melancholic, it's very stressful. We've lost our golden age in the past, and now we're living in our dark era.
One side of me is very busy paying attention to the details of life, the humanity of people, catching the street voices, the middle-class, upper-middle-class secret lives of Turks. The other side is interested in history and class and gender, trying to get all of society in a very realistic way.
The working classes in England were always sentimental, and the Irish and Scots and Welsh. The upper-class English are the stiff-upper-lipped ones. And the middle class. They're the ones who are crippled emotionally because they can't move up, and they're desperate not to move down.
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