A Quote by Oriana Fallaci
Hearing him speak is so fun, reassuring I dare say. You can say all you like about Sihanouk: that he's an atrocious liar, a madman, a fraud, a swashbuckler, an international blot. You may think that, but you cannot deny how in this age in which the political arena seems to generate only dull, obtuse and boring characters with no imagination, he's a kind of miracle.
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My love stories are about people who are reluctant to actualize what they so desperately want. They are timid, cautious, but eventually they dare to speak. My characters are not only hesitant; they are ambivalent about which way their libido flows: toward men or women? They are fluid in their sexuality, and this ambivalence says more about how we think about sex today than, say, Tinder. And this is a truly modern idea: Most of us don't know who we are sexually.
I’m really boring, man. Like, I’m really dull. And I think people may think that I have this glamorous, fun lifestyle, but it’s pretty dull. But that’s what I like.
I'm really boring, man. Like, I'm really dull. And I think people may think that I have this glamorous, fun lifestyle, but it's pretty dull. But that's what I like.
To know how to say what other people only think, is what makes poets and sages; and to dare to say what others only dare to think, makes men martyrs or reformers.
I have a friend who's an artist, and he sometimes takes a view which I don't agree with. He'll hold up a flower and say, "Look how beautiful it is," and I'll agree. But then he'll say, "I, as an artist, can see how beautiful a flower is. But you, as a scientist, take it all apart and it becomes dull." I think he's kind of nutty. [...] There are all kinds of interesting questions that come from a knowledge of science, which only adds to the excitement and mystery and awe of a flower. It only adds. I don't understand how it subtracts.
When you first hear about this guy (Stan Musial), you say, 'it can't be true.' When you first meet him you say, 'It must be an act.' But as you watch him and watch him and see how he performs and how he comports himself you say, 'He's truly one of a kind.' There will never be another like him.
They say, "Katie, you're wrong." And if I say, "How dare you say that? I have studied and studied." Or, "I am an expert in" whatever area we're talking about. Or, "No, you are wrong! And I think you're rude!" Or anything like that, and if we don't say it out loud, maybe we think it, but that's stressful. The moment I've defended, in any way, I've started the war.
In the States, you have the First Amendment. People feel the freedom to speak and the right to be heard. And they kind of push the message: "It's a free country." Everybody has the right to say whatever they want to say. But in the Middle East, culture is your guide. You have to ask, is it culturally okay to say something like that? Is it culturally okay, for example, to show a woman giving birth? As Arabs watching such a scene in an American film it's okay, but when it comes to the Arabic context, we're like, "How dare you?" So it's how you present it.
I have to say I enjoy physical comedy and I've always loved to kind of take risks. I don't like worrying too much about how I look or how I come across, so that can sometimes... You know, I like to play those kinds of deluded but fun characters.
We keep hearing how “qualified” Hillary Clinton is to be president. I think it’s kind of like if somebody has to deny they’re a prostitute, then there must be some doubt about it.
If we may say that the Age of Andrew Jackson took political life out of the hands of aristocrats and turned it over to the masses, then we may say, with equal justification, that the Age of Television has taken politics away from the adult mind altogether.
It is very pious to say and prudent to affirm that the holy Bible can never speak untruth -- whenever its true meaning is understood. But I believe nobody will deny that it is often very abstruse, and may say things which are quite different from wha.
If any man would come after me, let him deny himself." The disciple must say to himself the same words Peter said of Christ when he denied him: "I know not this man." Self-denial is never just a series of isolated acts of mortification or asceticism. It is not suicide, for there is an element of self-will even in that. To deny oneself is to be aware only of Christ and no more of self, to see only him who goes before and no more the road which is too hard for us. Once more, all that self denial can say is: "He leads the way, keep close to him.
I'm trying to see if I can speak about our society today, but I cannot speak about the theme, because it's a bit difficult. I'm just starting to work on that. Because we live in a kind of world which has drastically changed in the last years. We speak about globalization, and how it's become the reason for everything. It has a kind of deep meaning. To be everywhere and to be nowhere at the same time. You think to globalize, you think, the Earth, it's your country. No, it's not your country. It's not easy to catch it in a cinema. It's too huge.
There is a certain jargon, which, in French, I should call un Persiflage d'Affaires, that a foreign Minister ought to be perfectlymaster of, and may be used very advantageously at great entertainments, in mixed companies, and in all occasions where he must speak, and should say nothing. Well turned and well spoken, it seems to mean something, though in truth it means nothing. It is a kind of political badinage, which prevents or removes a thousand difficulties, to which a foreign Minister is exposed in mixed conversations.
I'm sure people are badmouthing me. I think one of the interesting parts about the criticism has been the tenor of "how dare he." How dare an insider speak critically about other insiders?
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