A Quote by Oriana Fallaci

Alas, nothing reveals man the way war does. Nothing so accentuates in him the beauty and ugliness, the intelligence and foolishness, the brutishness and humanity, the courage and cowardice, the enigma.
We hear in these days a great deal respecting rights--the rights of private judgment, the rights of labor, the rights of property, and the rights of man. Rights are grand things, divine things in this world of God's; but the way in which we expound these rights, alas! seems to me to be the very incarnation of selfishness. I can see nothing very noble in a man who is forever going about calling for his own rights. Alas! alas! for the man who feels nothing more grand in this wondrous, divine world than his own rights.
Beauty has as many meanings as man has moods. Beauty is the symbol of symbols. Beauty reveals everything, because it expresses nothing. When it shows us itself, it shows us the whole fiery-coloured world.
I never changed after that. I sought for nothing in the one great source of change which is humanity. And even in my love and absorption with the beauty of the world, I sought to learn nothing that could be given back to humanity. I drank of the beauty of the world as a vampire drinks. I was satisfied. I was filled to the brim. But I was dead. And I was changeless.
Everybody does what she needs. And if you want plastic surgery, and then you feel better, why not? There is no law. I've nothing against using something to help your beauty - but do it in a good way, with intelligence.
To judge a man means nothing more than to ask: What content does he give to the form of humanity? What concept should we have of humanity if he were its only representative?
Beauty in art is often nothing but ugliness subdued.
Beauty without wit offers nothing but the enjoyment of its material charms, whilst witty ugliness captivates by the charms of the mind, and at last fulfils all the desires of the man it has captivated.
Idealism, alas, does not protect one from ignorance, dogmatism, and foolishness.
Of course, we would love to know more about the exact moment of Big Bang, but interposing an outside intelligence does nothing to add to that knowledge, as we still know nothing about the creation of that intelligence.
Analysis of rebellion leads at least to the suspicion that, contrary to the postulates of contemporary thought, a human nature does exist, as the Greeks believed. Why rebel if there is nothing permanent in oneself worth preserving? ... Rebellion, though apparently negative, since it creates nothing, is profoundly positive in that it reveals the part of man which must always be defended.
After World War II, it seemed that humanity understood something, and nothing like that would happen again. Humanity has understood nothing. Religious, tribal, national wars continue. The world continues to be in a sea of blood. The world can be better if there's love, tolerance and humility.
Nothing keeps me in such awe as perfect beauty; now, there is something consoling and encouraging in ugliness.
There is more beauty in truth, even if it is a dreadful beauty. The storytellers at the city gate twist life so that it looks sweet to the lazy and the stupid and the weak, and this only strengthens their infirmities and teaches nothing, cures nothing, nor does it let the heart soar.
There's nothing but brutality and bravery or cowardice that comes out of war. That's pretty much it.
Oh my God, does art engender humanity? It awakens your humanity. But humanity has nothing to do with political theory. Political theory is in the interests of one group of humanity, or one ideal for humanity. But humanity-my heavens, that's what proper art renders. We have a paradox. Going into the deepest aspects of inner space connects you with something that is the most vital for the outer realm.
Unless we look at a person and see the beauty there is in this person, we can contribute nothing to him. One does not help a person by discerning what is wrong, what is ugly, what is distorted. Christ looked at everyone he met, at the prostitute, at the thief, and saw the beauty hidden there. Perhaps it was distorted, perhaps damaged, but it was beauty none the less, and what he did was to call out this beauty.
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