A Quote by Orianthi

All of my solos are blues based. Even though a lot of my songs get into pop, I wind up going back to the blues. Trying to escape it is like trying to run from the devil. — © Orianthi
All of my solos are blues based. Even though a lot of my songs get into pop, I wind up going back to the blues. Trying to escape it is like trying to run from the devil.
A lot of what I listened to growing up was blues, but also folk and indie music. So there's this marriage of songs that structurally are quite bluesy. Sound-wise, there's a lot of indie as well. But you can't really say I'm pop-blues, because that's insulting to blues. It just can't exist.
There are happy blues, sad blues, lonesome blues, red-hot blues, mad blues, and loving blues. Blues is a testimony to the fullness of life.
I think we as a band, as individuals, understand that all popular music stems from blues and jazz and even pop, but rock 'n' roll especially comes from blues. What we're trying to do is play rock 'n' roll, but other people call it different things.
I learned jazz; that comes from blues. I learned rock; that comes from blues. I learned pop; that comes from blues. Even dance, that comes from blues, with the answer-and-response.
From the first album, we've had songs like 'The Jack' that are blues based. We also did it in 'Ride On,' where we went into the blues.
Blues for me is having things not go your way - life, love, job, money, ... It is not about the oppression of my ancestors, who were trying to get back at the overseers. Blues is different for my generation.
The main three components are the blues, improvisation - which is some kind of element that people are trying to make it up - and swing, which means even though they're making up music, they're trying to make it up together. It feels great, like you're having a great conversation with somebody.
I'm not committed to putting myself up for a blues guitarist, even though I love playing the blues.
I have heartaches, I have blues. No matter what you got, the blues is there. 'Cause that's all I know - the blues. And I can sing the blues so deep until you can have this room full of money and I can give you the blues.
I love songs, and I love songwriting, and there's a standard of songwriting within Chicago blues in particular. I don't like the sad blues, necessarily; the Chicago blues is what I like, which is the kind of blues you can dance to.
I don't remember any impression [from blues].The blues was just everywhere in the Mississippi Delta. It was mostly black sharecroppers living there, and there was a lot of blues around. Sometimes the guys would sing the blues in the fields, working.
Depending on what you allow, you can still get the blues, man. I'm still trying to figure out where the blues really lies, where the street is.
I think we as a band, as individuals, understand that all popular music stems from blues and jazz and even pop, but rock 'n' roll especially comes from blues.
We are trying to prove that the blues lives on forever and anybody in this place can sing the blues.
Nowadays blues in particular has a wide, wide, wide, wide net of everything that's called blues. I think if somebody's coming to it in the last ten years or whatever, or even fifteen years, what their experience is what is called blues is different from mine. I have to expand my range of what's been called the blues. I think somebody who's new to it would have to go back and to see what is called blues now, where it came from. If that makes sense.
The blues brings you back into the fold. The blues isn't about the blues, it's about we have all had the blues and we are all in this together.
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